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Fine Art Print : A Scene in Morocco; Scene prise au Maroc, 1885 (oil on canvas)
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A Scene in Morocco; Scene prise au Maroc, 1885 (oil on canvas)
1769823 A Scene in Morocco; Scene prise au Maroc, 1885 (oil on canvas) by Bridgman, Frederick Arthur (1847-1928); 63.5x85.1 cm; Private Collection; (add.info.: A Scene in Morocco; Scene prise au Maroc. Frederick Arthur Bridgman (1847-1928). Oil on canvas. Painted in 1885. 63.5 x 85.1cm.); Photo eChristies Images; American, out of copyright
Media ID 23691512
© Christie's Images / Bridgeman Images
1880s 1885 Active American Artist Artist American Bare Feet Bare Foot Barefeet Barefoot Bridgman Carrying On Shoulder Carrying On Shoulders Carrying Over Shoulder Depicting Depiction Depicts Doorway Equine Feet Foot Frederick Arthur Bridgman Hooved Mammal Maroc Medium Group Medium Group Of People Morocco Natural Light Neighbor Neighborhood Neighbour Physical Activity Pigeon Sunny Talking Thoroughfare Two Animals Using Voice 19th Century Painting Ethnic Origin
20"x16" (+3" Border) Fine Art Print
Experience the vibrant colors and rich culture of Morocco through the brushstrokes of Frederick Arthur Bridgman's Scene in Morocco. This exquisite fine art print, originally painted in 1885 as an oil on canvas, invites you to explore the bustling markets and intricate architecture of this exotic land. Bridgman's masterful use of light and shadow creates depth and texture, transporting you to a world full of wonder and adventure. Add this stunning piece to your home or office to inspire creativity and ignite your imagination. Available as a high-quality fine art print from Media Storehouse.
20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.
Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.
Estimated Image Size (if not cropped) is 50.8cm x 37.1cm (20" x 14.6")
Estimated Product Size is 66cm x 55.9cm (26" x 22")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
A Scene in Morocco; Scene prise au Maroc, 1885" is a captivating oil painting by Frederick Arthur Bridgman that transports viewers to the vibrant streets of Morocco in the late 19th century. This richly detailed artwork captures a bustling scene filled with life and activity. In this outdoor setting, we see men and women going about their daily routines, engaging in conversations and carrying out various tasks. The warm natural light of the Moroccan sun illuminates the scene, casting long shadows on the ground. The artist's skillful use of color brings out the intricate details of each character and building. The composition draws our attention to a man standing at an entrance, engaged in conversation with another individual. Two pigeons perch nearby, adding an element of tranquility amidst the lively atmosphere. Horses can also be seen further down the street, emphasizing the importance of these majestic animals within Moroccan culture. Bridgman's portrayal highlights not only the physical surroundings but also offers insight into social interactions and community dynamics during this period. The painting provides us with a glimpse into everyday life in North Africa at that time. With its realistic depiction and meticulous attention to detail, "A Scene in Morocco; Scene prise au Maroc" invites viewers to immerse themselves in this enchanting moment from history.
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