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Fine Art Print : Fredegonde (vers 545-597), reine de Neustrie, visite l eveque Pretextat de Rouen (mort en 586) sur son lit de mort (Fredegund visits Bishop Praetextatus on his deathbed) - Peinture de Sir Lawrence Alma-Tadema (Alma Tadema) (1836-1912)

Fredegonde (vers 545-597), reine de Neustrie, visite l eveque Pretextat de Rouen (mort en 586) sur son lit de mort (Fredegund visits Bishop Praetextatus on his deathbed) - Peinture de Sir Lawrence Alma-Tadema (Alma Tadema) (1836-1912)



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Fredegonde (vers 545-597), reine de Neustrie, visite l eveque Pretextat de Rouen (mort en 586) sur son lit de mort (Fredegund visits Bishop Praetextatus on his deathbed) - Peinture de Sir Lawrence Alma-Tadema (Alma Tadema) (1836-1912)

FIA5390043 Fredegonde (vers 545-597), reine de Neustrie, visite l eveque Pretextat de Rouen (mort en 586) sur son lit de mort (Fredegund visits Bishop Praetextatus on his deathbed) - Peinture de Sir Lawrence Alma-Tadema (Alma Tadema) (1836-1912), huile sur bois, 1864 - State A Pushkin Museum of Fine Arts, Moscow (Russie) by Alma-Tadema, Lawrence (1836-1912); Pushkin Museum, Moscow, Russia; Photo © Fine Art Images

Media ID 24711116

© Fine Art Images / Bridgeman Images

6 6th Vi Vith Century Betrayal Bishop Fredegonde Great Bed Orders Visiting Beds Furnish Home Furnishing Upholstered Goods


20"x16" (+3" Border) Fine Art Print

Experience the rich history and intrigue of the Merovingian Dynasty with our exquisite Fine Art Print of "Fredegunde visits Bishop Praetextatus on his deathbed" by Sir Lawrence Alma-Tadema. This masterpiece captures the poignant moment between Fredegunde, Queen of Neustria (circa 545-597), and Bishop Praetextatus of Rouen (died 586), as she pays her respects at his deathbed. Alma-Tadema's meticulous attention to detail and evocative use of light bring this historical scene to life, transporting you back in time. Add this stunning work of art to your collection and elevate the ambiance of any room with its timeless beauty and historical significance.

20x16 image printed on 26x22 Fine Art Rag Paper with 3" (76mm) white border. Our Fine Art Prints are printed on 300gsm 100% acid free, PH neutral paper with archival properties. This printing method is used by museums and art collections to exhibit photographs and art reproductions.

Our fine art prints are high-quality prints made using a paper called Photo Rag. This 100% cotton rag fibre paper is known for its exceptional image sharpness, rich colors, and high level of detail, making it a popular choice for professional photographers and artists. Photo rag paper is our clear recommendation for a fine art paper print. If you can afford to spend more on a higher quality paper, then Photo Rag is our clear recommendation for a fine art paper print.

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 66cm x 55.9cm (26" x 22")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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EDITORS COMMENTS
The painting "Fredegund visits Bishop Praetextatus on his deathbed" by Sir Lawrence Alma-Tadema captures a poignant moment in history. The scene depicts Queen Fredegonde of Neustria visiting the dying Bishop Pretextat of Rouen, who passed away in 586. Painted in 1864, this oil on wood masterpiece showcases Alma-Tadema's exceptional talent for capturing emotions and historical accuracy. The colors are vibrant yet somber, reflecting the solemnity of the occasion. The composition centers around the bishop's bed, adorned with luxurious furnishings that symbolize power and authority. Intriguingly, this artwork delves into a captivating story from medieval times. It explores themes of betrayal and loyalty as Queen Fredegonde pays her respects to an influential figure she may have had conflicting relationships with during their lifetimes. The setting is intimate—a bedroom where life meets death—creating a sense of vulnerability and reflection. As we gaze upon this painting, we witness not only a historical event but also contemplate our own mortality. Alma-Tadema masterfully portrays the emotional connection between these two individuals through subtle gestures and expressions. We can almost feel the weight of their shared history hanging in the air as they exchange final words. This artwork serves as a testament to Alma-Tadema's ability to transport us back in time while reminding us of our universal human experiences: love, loss, and ultimately facing our own mortality.

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