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Beauty and Death (woodcut)
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Beauty and Death (woodcut)
7201507 Beauty and Death (woodcut) by Beham, Hans Sebald (1500-50); Private Collection; (add.info.: Beauty and Death. Illustration from Illustrierte Sittengeschichte von Mittelalter bis zur Gegenwart, by Eduard Fuchs (Albert Langen Verlag fur Litteratur und Kunst, Munich, c1910).); © Look and Learn
Media ID 24722222
© Look and Learn / Bridgeman Images
Allegoric Allegories Alllegorical Figure Beauty Ideal Cherubini Crowns High And Late Renaissance Skeleton Wing Winged Wingspan Allegorical Beauties Cherub Cherubim Cherubs Deaths Little Boys Mortality Passed Away Renaissance Time Young Boy
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Beauty and Death - A Haunting Allegory of Life's Fragility
EDITORS COMMENTS
. This woodcut print, titled "Beauty and Death" created by Hans Sebald Beham in the 16th century, is a powerful representation of the eternal struggle between beauty and mortality. The artwork showcases an allegorical scene where a beautiful woman adorned with a crown holds a cherubic child in her arms. However, looming behind them is the chilling figure of death, portrayed as a skeletal skeleton. The contrasting elements in this piece evoke deep contemplation on the transient nature of life. The delicate beauty of the woman and child symbolizes innocence, youthfulness, and vitality. Yet their presence alongside death serves as a reminder that these qualities are fleeting. Beham's meticulous black-and-white illustration captures every intricate detail, emphasizing the stark contrast between life and death. The inclusion of wings adds another layer to its symbolism; they represent freedom but also serve as reminders that even angels are not immune to mortality. This woodcut print was part of Eduard Fuchs' renowned publication "Illustrierte Sittengeschichte von Mittelalter bis zur Gegenwart" which explored various aspects of human history through art. Its inclusion in this collection further highlights its significance within Renaissance art. "Beauty and Death" continues to captivate viewers centuries later with its profound exploration into our mortality while celebrating the ephemeral beauty that graces our lives for such brief moments.
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