Goya Collection

Choose a picture from our Goya Collection for your Wall Art and Photo Gifts

399 items

Goya Collection: Aguarda Que Te Unten, plate from Los Caprichos, 1799 (etching & aquatint)

Aguarda Que Te Unten, plate from Los Caprichos, 1799 (etching & aquatint)
3112269 Aguarda Que Te Unten, plate from Los Caprichos, 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Private Collection; (add.info)

Goya Collection: I Am Still Learning (Aun Aprendo) (charcoal on paper)

I Am Still Learning (Aun Aprendo) (charcoal on paper)
BBC193310 I Am Still Learning (Aun Aprendo) (charcoal on paper) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Goya Collection: Boys Playing at Soldiers, c. 1775-99 (oil on canvas)

Boys Playing at Soldiers, c. 1775-99 (oil on canvas)
GLS29679 Boys Playing at Soldiers, c.1775-99 (oil on canvas) by Goya y Lucientes, Francisco Jose de (1746-1828); 29.2x41.9 cm; Stirling Maxwell Collection, Pollok House, Glasgow

Goya Collection: 193-0082312 The exhortations, plate 16 of Proverbs, 1819-23, pub. 1864 (etching)

193-0082312 The exhortations, plate 16 of Proverbs, 1819-23, pub. 1864 (etching)
IND82116 The exhortations, plate 16 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.6x35.9 cm; Private Collection; Index Fototeca

Goya Collection: The Arrest of Christ, 1798 (oil on panel)

The Arrest of Christ, 1798 (oil on panel)
MAE176959 The Arrest of Christ, 1798 (oil on panel) by Goya y Lucientes, Francisco Jose de (1746-1828); Treasury, Toledo Cathedral, Castilla y Leon

Goya Collection: Clear fantasy, plate 15 of Proverbs, 1819-23, pub. 1864 (etching)

Clear fantasy, plate 15 of Proverbs, 1819-23, pub. 1864 (etching)
IND82115 Clear fantasy, plate 15 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.7 cm; Private Collection; Index Fototeca

Goya Collection: Simpleton, plate 4 of Proverbs, 1819-23, pub. 1864 (etching)

Simpleton, plate 4 of Proverbs, 1819-23, pub. 1864 (etching)
IND82104 Simpleton, plate 4 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.9 cm; Private Collection; Index Fototeca

Goya Collection: They loose dogs on the bull, plate 25 of The Art of Bullfighting, pub. 1816 (etching)

They loose dogs on the bull, plate 25 of The Art of Bullfighting, pub. 1816 (etching)
IND81925 They loose dogs on the bull, plate 25 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 25x35.7 cm; Private Collection; Index Fototeca

Goya Collection: The Moors use donkeys as a barrier to defend themselves against the bull

The Moors use donkeys as a barrier to defend themselves against the bull, whose horns have been tipped with balls
IND81917 The Moors use donkeys as a barrier to defend themselves against the bull, whose horns have been tipped with balls, plate 17 of The Art of Bullfighting, pub

Goya Collection: The very skilful student of Falces (b. 1709) wrapped in his cape

The very skilful student of Falces (b. 1709) wrapped in his cape, tricks the bull with the play of his body
IND81914 The very skilful student of Falces (b.1709) wrapped in his cape, tricks the bull with the play of his body, plate 14 of The Art of Bullfighting, pub

The Bullfight
IND36757 The Bullfight by Goya y Lucientes, Francisco Jose de (1746-1828); Biblioteca Nacional, Madrid, Spain; Index Fototeca

Goya Collection: 193-0082314 Funereal riddle, plate 18 of Proverbs, 1819-23, pub. 1864 (etching)

193-0082314 Funereal riddle, plate 18 of Proverbs, 1819-23, pub. 1864 (etching)
IND82118 Funereal riddle, plate 18 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.4x35.8 cm; Private Collection; Index Fototeca

193-0082313 Loyalty, plate 17 of Proverbs, 1819-23, pub. 1864 (etching)
IND82117 Loyalty, plate 17 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.6x35.8 cm; Private Collection; Index Fototeca

Goya Collection: Carnival fantasy, plate 14 of Proverbs, 1819-23, pub. 1864 (etching)

Carnival fantasy, plate 14 of Proverbs, 1819-23, pub. 1864 (etching)
IND82114 Carnival fantasy, plate 14 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.6x35.7 cm; Private Collection; Index Fototeca

Goya Collection: The same Mariano Ceballos, mounted on a bull, breaks short spears in the ring at Madrid

The same Mariano Ceballos, mounted on a bull, breaks short spears in the ring at Madrid
IND81924 The same Mariano Ceballos, mounted on a bull, breaks short spears in the ring at Madrid, plate 24 of The Art of Bullfighting, pub

Goya Collection: Ensayos, plate from Los Caprichos, 1799 (etching & aquatint)

Ensayos, plate from Los Caprichos, 1799 (etching & aquatint)
3112270 Ensayos, plate from Los Caprichos, 1799 (etching & aquatint) by Goya y Lucientes, Francisco Jose de (1746-1828); 32x22 cm; Private Collection; (add.info)

Goya Collection: Charles V, Holy Roman Emperor and King of Spain as Charles I (1500-58)

Charles V, Holy Roman Emperor and King of Spain as Charles I (1500-58) spearing a bull in the ring at Valladolid
IND81910 Charles V, Holy Roman Emperor and King of Spain as Charles I (1500-58) spearing a bull in the ring at Valladolid, plate 10 of The Art of Bullfighting, pub

Goya Collection: The Tyrant: Portrait of the Actress Rosario Fernandez

The Tyrant: Portrait of the Actress Rosario Fernandez
IND54189 The Tyrant: Portrait of the Actress Rosario Fernandez by Goya y Lucientes, Francisco Jose de (1746-1828); 2, 06 x 1, 30 cm; Real Academia de Bellas Artes de San Fernando, Madrid

Goya Collection: Pedro Romero killing the halted bull, plate 30 of The Art of Bullfighting, pub. 1816 (etching)

Pedro Romero killing the halted bull, plate 30 of The Art of Bullfighting, pub. 1816 (etching)
IND81930 Pedro Romero killing the halted bull, plate 30 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Goya Collection: The famous Martincho (probably Antonio Ebassum) places the banderillas

The famous Martincho (probably Antonio Ebassum) places the banderillas, playing the bull with the movement of his body
IND81915 The famous Martincho (probably Antonio Ebassum) places the banderillas, playing the bull with the movement of his body, plate 15 of The Art of Bullfighting, pub

Goya Collection: A Spanish mounted knight in the ring breaking short spears without the help of assistants

A Spanish mounted knight in the ring breaking short spears without the help of assistants
IND81913 A Spanish mounted knight in the ring breaking short spears without the help of assistants, plate 13 of The Art of Bullfighting, pub

Goya Collection: Pepe Hillo making the pass of the recorte, plate 29 of The Art of Bullfighting, pub. 1816 (etching)

Pepe Hillo making the pass of the recorte, plate 29 of The Art of Bullfighting, pub. 1816 (etching)
IND81929 Pepe Hillo making the pass of the recorte, plate 29 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Goya Collection: Title-page of The Art of Bullfighting, listing the title of the plates, pub. 1816 (etching)

Title-page of The Art of Bullfighting, listing the title of the plates, pub. 1816 (etching)
IND81900 Title-page of The Art of Bullfighting, listing the title of the plates, pub. 1816 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); Private Collection; Index Fototeca

Goya Collection: The Devout Profession, plate 70 of Los caprichos, 1799 (etching) (see also 175022)

The Devout Profession, plate 70 of Los caprichos, 1799 (etching) (see also 175022)
IND81689 The Devout Profession, plate 70 of Los caprichos, 1799 (etching) (see also 175022) by Goya y Lucientes, Francisco Jose de (1746-1828); 21x16.6 cm; Private Collection; Index Fototeca

Goya Collection: The daring of Martincho (probably Antonio Ebassum) in the ring at Saragossa

The daring of Martincho (probably Antonio Ebassum) in the ring at Saragossa, plate 18 of The Art of Bullfighting, pub
IND81918 The daring of Martincho (probably Antonio Ebassum) in the ring at Saragossa, plate 18 of The Art of Bullfighting, pub

Goya Collection: A Spanish knight kills the bull after having lost his horse, plate 9 of The Art of Bullfighting

A Spanish knight kills the bull after having lost his horse, plate 9 of The Art of Bullfighting, pub. 1816 (etching)
IND81909 A Spanish knight kills the bull after having lost his horse, plate 9 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Goya Collection: They (the Moors) play another bull with the cape in an enclosure

They (the Moors) play another bull with the cape in an enclosure, plate 4 of The Art of Bullfighting, pub
IND81904 They (the Moors) play another bull with the cape in an enclosure, plate 4 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Goya Collection: The same man (Martincho, probably Antonio Ebassum) throws a bull in the ring at Madrid

The same man (Martincho, probably Antonio Ebassum) throws a bull in the ring at Madrid
IND81916 The same man (Martincho, probably Antonio Ebassum) throws a bull in the ring at Madrid, plate 16 of The Art of Bullfighting, pub

Goya Collection: The forceful Rendon stabs a bull with the pike, from which pass he died in the ring at Madrid

The forceful Rendon stabs a bull with the pike, from which pass he died in the ring at Madrid
IND81928 The forceful Rendon stabs a bull with the pike, from which pass he died in the ring at Madrid, plate 28 of The Art of Bullfighting, pub

Goya Collection: Origin of the harpoons or banderillas, plate 7 of The Art of Bullfighting, pub. 1816 (etching)

Origin of the harpoons or banderillas, plate 7 of The Art of Bullfighting, pub. 1816 (etching)
IND81907 Origin of the harpoons or banderillas, plate 7 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Goya Collection: Banderillas with firecrackers, plate 31 of The Art of Bullfighting, pub. 1816 (etching)

Banderillas with firecrackers, plate 31 of The Art of Bullfighting, pub. 1816 (etching)
IND81931 Banderillas with firecrackers, plate 31 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.9x35.7 cm; Private Collection; Index Fototeca

Goya Collection: The valiant Moor Gazul is the first to spear bulls according to rules

The valiant Moor Gazul is the first to spear bulls according to rules, plate 5 of The Art of Bullfighting, pub
IND81905 The valiant Moor Gazul is the first to spear bulls according to rules, plate 5 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Goya Collection: Two teams of picadors thrown one after the other by a single bull

Two teams of picadors thrown one after the other by a single bull, plate 32 of The Art of Bullfighting, pub
IND81932 Two teams of picadors thrown one after the other by a single bull, plate 32 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Goya Collection: The Moors make a different play in the ring with their burnous

The Moors make a different play in the ring with their burnous, plate 6 of The Art of Bullfighting, pub. 1816 (etching)
IND81906 The Moors make a different play in the ring with their burnous, plate 6 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Goya Collection: Happy fantasy, plate 12 of Proverbs, 1819-23, pub. 1864 (etching)

Happy fantasy, plate 12 of Proverbs, 1819-23, pub. 1864 (etching)
IND82112 Happy fantasy, plate 12 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.6x35.8 cm; Private Collection; Index Fototeca

Goya Collection: The celebrated picador Fernando del Toro draws the fierce beast on with his pike

The celebrated picador Fernando del Toro draws the fierce beast on with his pike, plate 27 of The Art of Bullfighting
IND81927 The celebrated picador Fernando del Toro draws the fierce beast on with his pike, plate 27 of The Art of Bullfighting, pub

Goya Collection: A picador is unhorsed and falls under the bull, plate 26 of The Art of Bullfighting, pub

A picador is unhorsed and falls under the bull, plate 26 of The Art of Bullfighting, pub. 1816 (etching)
IND81926 A picador is unhorsed and falls under the bull, plate 26 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes

Goya Collection: Manly courage of the celebrated Nicolasa Escamilla (La Pajuelera) in the ring at Saragossa

Manly courage of the celebrated Nicolasa Escamilla (La Pajuelera) in the ring at Saragossa
IND81922 Manly courage of the celebrated Nicolasa Escamilla (La Pajuelera) in the ring at Saragossa, plate 22 of The Art of Bullfighting, pub

Goya Collection: 193-0082141 Neither more nor less, plate 41 of Los caprichos, 1799 (etching)

193-0082141 Neither more nor less, plate 41 of Los caprichos, 1799 (etching)
IND81660 Neither more nor less, plate 41 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 20x15.2 cm; Private Collection; Index Fototeca

Goya Collection: Titlepage of Los Proverbios or Proverbs, 1819-23, pub. by the Spanish Royal Academy of Fine Arts

Titlepage of Los Proverbios or Proverbs, 1819-23, pub. by the Spanish Royal Academy of Fine Arts in Madrid
IND82100 Titlepage of Los Proverbios or Proverbs, 1819-23, pub. by the Spanish Royal Academy of Fine Arts in Madrid, 1864 (etching) by Goya y Lucientes

Goya Collection: 193-0082178 Be quick, they are waking up, plate 78 of Los caprichos, 1799 (etching)

193-0082178 Be quick, they are waking up, plate 78 of Los caprichos, 1799 (etching)
IND81697 Be quick, they are waking up, plate 78 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.8x15.2 cm; Private Collection; Index Fototeca

Goya Collection: 193-0082173 It is better to be lazy, plate 73 of Los caprichos, 1799 (etching)

193-0082173 It is better to be lazy, plate 73 of Los caprichos, 1799 (etching)
IND81692 It is better to be lazy, plate 73 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.7x15.2 cm; Private Collection; Index Fototeca

Goya Collection: 193-0082131 She prays for her, plate 31 of Los caprichos, 1799 (etching)

193-0082131 She prays for her, plate 31 of Los caprichos, 1799 (etching)
IND81650 She prays for her, plate 31 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.2 cm; Private Collection; Index Fototeca

Goya Collection: 193-0082116 God forgive her: and it was her mother, plate 16 of Los caprichos, pub. 1799 (etching)

193-0082116 God forgive her: and it was her mother, plate 16 of Los caprichos, pub. 1799 (etching)
IND81635 God forgive her: and it was her mother, plate 16 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 20.2x15.1 cm; Private Collection; Index Fototeca

Goya Collection: 193-0082115 Wonderful advice, plate 15 of Los caprichos, pub. 1799 (etching)

193-0082115 Wonderful advice, plate 15 of Los caprichos, pub. 1799 (etching)
IND81634 Wonderful advice, plate 15 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 22x15.4 cm; Private Collection; Index Fototeca

Goya Collection: Love and death, plate 10 of Los caprichos, pub. 1799 (etching)

Love and death, plate 10 of Los caprichos, pub. 1799 (etching)
IND81629 Love and death, plate 10 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.2 cm; Private Collection; Index Fototeca

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