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The Moors make a different play in the ring with their burnous, plate 6 of The Art of Bullfighting, pub. 1816 (etching)

The Moors make a different play in the ring with their burnous, plate 6 of The Art of Bullfighting, pub. 1816 (etching)


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The Moors make a different play in the ring with their burnous, plate 6 of The Art of Bullfighting, pub. 1816 (etching)

IND81906 The Moors make a different play in the ring with their burnous, plate 6 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.6 cm; Private Collection; Index Fototeca

Media ID 25898258

© Index Fototeca / Bridgeman Images

Bull Cape Francisco De Goya Francisco Jose De 1746 1828 Francisco José De Goya Y Lucientes Goya Goya Francisco De 1746 1828 Goya Y Lucientes La Tauromaquia Matador Moratin Tease Torero


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EDITORS COMMENTS
This etching by Francisco Jose de Goya y Lucientes, titled "The Moors make a different play in the ring with their burnous" transports us to the vibrant world of bullfighting in 19th-century Spain. The artist's masterful use of lines and shading brings to life the intense drama and skill displayed within the bullring. In this particular scene, we witness an intriguing twist as the Moors, adorned in their traditional burnous robes, engage in a unique performance. Goya captures their graceful movements and precise choreography as they tease and taunt the powerful bull before them. The contrast between the flowing fabric of their garments and the brute strength of the animal creates a visually striking composition. Goya's deep understanding of both technique and emotion is evident throughout this print. His attention to detail allows us to appreciate every nuance: from the determination on each matador's face to the tension radiating from both man and beast. Through his artistry, Goya invites us into a world where bravery meets danger head-on. "The Art of Bullfighting" series, published in 1816, stands as a testament to Goya's fascination with this iconic Spanish tradition. Each plate offers glimpses into various aspects of bullfighting culture while showcasing his exceptional talent for capturing movement and expression. As we gaze upon this remarkable etching, we are reminded not only of Goya's artistic genius but also of Spain's rich cultural heritage that continues to captivate audiences

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Related Images


A Spanish mounted knight in the ring breaking short spears without the help of assistants, plate 13 of The Art of Bullfighting, pub. 1816 (etching)
A Spanish mounted knight in the ring breaking short spears without the help of assistants, plate 13 of The Art of Bullfighting, pub. 1816 (etching)
The famous Martincho (probably Antonio Ebassum) places the banderillas, playing the bull with the movement of his body, plate 15 of The Art of Bullfighting, pub. 1816 (etching)
The famous Martincho (probably Antonio Ebassum) places the banderillas, playing the bull with the movement of his body, plate 15 of The Art of Bullfighting, pub. 1816 (etching)

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