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Edict of William the Testy Against Tobacco, 1865 (oil on canvas)
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Edict of William the Testy Against Tobacco, 1865 (oil on canvas)
2652569 Edict of William the Testy Against Tobacco, 1865 (oil on canvas) by Quidor, John (1801-81); 69.5x87 cm; Shelburne Museum, Vermont, USA; (add.info.: William Kieft, known as William the Testy, a Dutch Director General of New Amsterdam, emerges from his doorway and rages at the men assembled around it, who are all smoking pipes.); eShelburne Museum; Museum purchase, acquired from Maxim Karolik; American, out of copyright
Media ID 22364940
© Shelburne Museum Museum purchase, acquired from Maxim Karolik / Bridgeman Images
7 Deadly Sins Anger Angry Colonisation Colonist Colonists Director General Doorway Doorways Edict Enraged Exteriors Furor New Amsterdam Pipes Rage Raging Seven Deadly Sins Tobacco Windmill Windmills Wrath Feeling Wrathful
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EDITORS COMMENTS
The captivating oil painting "Edict of William the Testy Against Tobacco, 1865" by John Quidor depicts a scene filled with tension and anger. The artwork showcases William Kieft, famously known as William the Testy, who was a Dutch Director General of New Amsterdam during colonial times. In this particular moment captured on canvas, he emerges from his doorway in a fit of rage, confronting a group of men gathered around him who are all smoking pipes. The artist skillfully portrays the wrathful expression on William's face as he vehemently opposes tobacco use. The composition is enriched with details such as windmills and colonial houses in the background, emphasizing the historical context of this edict against tobacco. Quidor's painting evokes strong emotions through its depiction of anger and fury. It serves as a reminder of how societal norms and regulations have evolved over time. This artwork not only captures an important historical figure but also sheds light on the impact that tobacco had during that era. Displayed at Shelburne Museum in Vermont, USA, this piece offers viewers an opportunity to reflect upon themes such as colonialism, addiction, and individual freedom within society. Quidor's masterful brushwork brings to life this dramatic moment from history while inviting contemplation about our own relationship with substances and personal liberties today.
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