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William Kent Collection

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64 items

Background imageWilliam Kent Collection: Cliffs near Boulogne-sur-mer (oil on canvas)

Cliffs near Boulogne-sur-mer (oil on canvas)
7223863 Cliffs near Boulogne-sur-mer (oil on canvas) by Bowes, Josephine (1825-74); The Bowes Museum, Barnard Castle, County Durham, UK; © Bowes Museum

Background imageWilliam Kent Collection: Chatsworth: design for a Cascade, early 1740s (Pen and brown ink with brown wash over pencil)

Chatsworth: design for a Cascade, early 1740s (Pen and brown ink with brown wash over pencil on paper)
7223623 Chatsworth: design for a Cascade, early 1740s (Pen and brown ink with brown wash over pencil on paper) by Kent, William (1684-1748); 40.5 x 31.9 cm; The Devonshire Collections

Background imageWilliam Kent Collection: Wandering Musicians (framed), 1899 (oil on canvas)

Wandering Musicians (framed), 1899 (oil on canvas)
7248483 Wandering Musicians (framed), 1899 (oil on canvas) by Langley, Walter (1852-1922); 111.8 x 152.5 cm; Private Collection; Photo © Christies Images

Background imageWilliam Kent Collection: Settee, 1731 (mahogany, oak & pine)

Settee, 1731 (mahogany, oak & pine)
7248468 Settee, 1731 (mahogany, oak & pine) by Kent, William (1684-1748); 129x211x59 cm; Leeds Museums and Art Galleries (Temple Newsam House) UK; (add.info.: Made by James Moore the Younger)

Background imageWilliam Kent Collection: Settee, 1731 (mahogany, oak & pine)

Settee, 1731 (mahogany, oak & pine)
7248469 Settee, 1731 (mahogany, oak & pine) by Kent, William (1684-1748); 129x211x59 cm; Leeds Museums and Art Galleries (Temple Newsam House) UK; (add.info.: Made by James Moore the Younger)

Background imageWilliam Kent Collection: Detail of a terracotta vase with putti with grotesque handles, c. 1763

Detail of a terracotta vase with putti with grotesque handles, c. 1763
7248477 Detail of a terracotta vase with putti with grotesque handles, c. 1763 by Clodion, Claude Michel (1738-1814); Private Collection; Photo © Christies Images

Background imageWilliam Kent Collection: Mary Shelleys Frankenstein, 1818 (paper & boards)

Mary Shelleys Frankenstein, 1818 (paper & boards)
7223883 Mary Shelleys Frankenstein, 1818 (paper & boards) by English School, (19th century); 19x10.9 cm; Private Collection; (add.info.: Mary Wollstonecraft Shelley (1797-1851)

Background imageWilliam Kent Collection: Alexander Pope in his grotto, c. 1730 (Pen and ink with brown wash over pencil on paper)

Alexander Pope in his grotto, c. 1730 (Pen and ink with brown wash over pencil on paper)
7223622 Alexander Pope in his grotto, c.1730 (Pen and ink with brown wash over pencil on paper) by Kent, William (1684-1748); 22 x 18.5 cm; The Devonshire Collections

Background imageWilliam Kent Collection: The Pike, from A Treatise on Fish and Fish-ponds, pub. 1832 (hand coloured engraving)

The Pike, from A Treatise on Fish and Fish-ponds, pub. 1832 (hand coloured engraving)
3471570 The Pike, from A Treatise on Fish and Fish-ponds, pub. 1832 (hand coloured engraving) by Albin, Eleazar (fl.1713-59); The Stapleton Collection; English, out of copyright

Background imageWilliam Kent Collection: A painted and gilded baby carriage (mixed media)

A painted and gilded baby carriage (mixed media)
3471518 A painted and gilded baby carriage (mixed media) by Kent, William (1684-1748); 130x120 cm; eThe Devonshire Collections

Background imageWilliam Kent Collection: Birdhouse at Chiswick; pool with a couple in a boat, the woman fishing

Birdhouse at Chiswick; pool with a couple in a boat, the woman fishing
5196978 Birdhouse at Chiswick; pool with a couple in a boat, the woman fishing (pen & brown wash over pencil on paper) by Kent, William (1684-1748); 27.6x22.7 cm; eThe Devonshire Collections

Background imageWilliam Kent Collection: Scene of surprise of the xciv regiment, 1881 (b / w photo)

Scene of surprise of the xciv regiment, 1881 (b / w photo)
5924368 A Scene of surprise of the xciv regimentA, 1881 (b/w photo) by Unknown photographer, (19th century); National Army Museum, London; (add.info.: A Scene of surprise of the xciv regimentA, 1881)

Background imageWilliam Kent Collection: Chiswick, first design for the Exedra (pen & ink and wash on paper)

Chiswick, first design for the Exedra (pen & ink and wash on paper)
5926017 Chiswick, first design for the Exedra (pen & ink and wash on paper) by Kent, William (1684-1748); 32.9x51.5 cm; eThe Devonshire Collections, Chatsworth; (add.info.: Not carried out)

Background imageWilliam Kent Collection: Chiswick, design for a rustic cascade and bridge set against the terrace

Chiswick, design for a rustic cascade and bridge set against the terrace
5925998 Chiswick, design for a rustic cascade and bridge set against the terrace (pen & ink and wash over pencil on paper) by Kent, William (1684-1748); 33.2x48.5 cm; eThe Devonshire Collections

Background imageWilliam Kent Collection: Short-tailed coatee worn by Cornets Brown, Wiltshire Yeomanry, 1799 circa (fabric)

Short-tailed coatee worn by Cornets Brown, Wiltshire Yeomanry, 1799 circa (fabric)
5924354 Short-tailed coatee worn by Cornets Brown, Wiltshire Yeomanry, 1799 circa (fabric) by British School, (18th Century); National Army Museum

Background imageWilliam Kent Collection: Chiswick, a view from an elevated point above the Orange Tree Garden Temple

Chiswick, a view from an elevated point above the Orange Tree Garden Temple
5926026 Chiswick, a view from an elevated point above the Orange Tree Garden Temple (pencil & wash on paper) by Kent, William (1684-1748); 31.7x48.9 cm; eThe Devonshire Collections

Background imageWilliam Kent Collection: The ruins of the village of Ligny, 1815 (aquatint)

The ruins of the village of Ligny, 1815 (aquatint)
5926007 A The ruins of the village of LignyA, 1815 (aquatint) by Rouse, James (19th century); National Army Museum, London; (add.info.: A The ruins of the village of LignyA, 1815)

Background imageWilliam Kent Collection: Chiswick, the Burlington Lane Gate and the Obelisk in the moonlight with Kent sitting by

Chiswick, the Burlington Lane Gate and the Obelisk in the moonlight with Kent sitting by
5926001 Chiswick, the Burlington Lane Gate and the Obelisk in the moonlight with Kent sitting by the Obelisk dreaming, and with rabbits at play, c.1732 (pen & ink and wash on paper) by Kent

Background imageWilliam Kent Collection: Louis XVI commode, c. 1764 (ormolu mounted amaranth, tulipwood, bois satine

Louis XVI commode, c. 1764 (ormolu mounted amaranth, tulipwood, bois satine
487641 Louis XVI commode, c.1764 (ormolu mounted amaranth, tulipwood, bois satine, sycamore & marquetry) by Leleu, Jean Francois (1729-1807)

Background imageWilliam Kent Collection: Bethany, 1890 (oil on canvas)

Bethany, 1890 (oil on canvas)
487614 Bethany, 1890 (oil on canvas) by Schmalz, Herbert Gustave (1856-1935); 43.2x60.8 cm; Private Collection; (add.info.: Now known as al-Eizariya)

Background imageWilliam Kent Collection: The crossing of the Niemen at the opening of the campaign in 1812 (print)

The crossing of the Niemen at the opening of the campaign in 1812 (print)
5926011 The crossing of the Niemen at the opening of the campaign in 1812 (print) by Dubourg, Matthew (fl.1813-20); National Army Museum

Background imageWilliam Kent Collection: Chiswick, view of the Burlington Lane Gate, the Obelisk in the foreground

Chiswick, view of the Burlington Lane Gate, the Obelisk in the foreground
5926008 Chiswick, view of the Burlington Lane Gate, the Obelisk in the foreground, and Kent with dog (pen & ink and wash on paper) by Kent

Background imageWilliam Kent Collection: 2nd Division Church Parade, Zululand, 1879 (b / w photo)

2nd Division Church Parade, Zululand, 1879 (b / w photo)
5924365 A 2nd Division Church Parade, Zululand, 1879A (b/w photo) by Unknown photographer, (19th century); National Army Museum, London; (add.info.: A 2nd Division Church Parade, Zululand, 1879A)

Background imageWilliam Kent Collection: Lady Burlington sitting in her Garden Room admiring an Old Master (

Lady Burlington sitting in her Garden Room admiring an Old Master (
5926041 Lady Burlington sitting in her Garden Room admiring an Old Master (?) drawing (pen & ink on paper) by Kent, William (1684-1748); 22.8x18.7 cm; eThe Devonshire Collections

Background imageWilliam Kent Collection: Chiswick, view of the Exedra showing placement of sculpture (pencil on paper)

Chiswick, view of the Exedra showing placement of sculpture (pencil on paper)
5926024 Chiswick, view of the Exedra showing placement of sculpture (pencil on paper) by Kent, William (1684-1748); 42.8x60.6 cm; eThe Devonshire Collections

Background imageWilliam Kent Collection: The Death of the Duke of Brunswick, June 15th [sic] 1815. (print)

The Death of the Duke of Brunswick, June 15th [sic] 1815. (print)
5926015 A The Death of the Duke of Brunswick, June 15th [sic] 1815A. (print) by Dubourg, Matthew (fl.1813-20); National Army Museum, London; (add.info.: A The Death of the Duke of Brunswick)

Background imageWilliam Kent Collection: Chiswick, view of the Doric Column with Venus de Medici statue

Chiswick, view of the Doric Column with Venus de Medici statue
5926014 Chiswick, view of the Doric Column with Venus de Medici statue, and a glimpse of the side of the deer house (pen & ink on paper) by Kent

Background imageWilliam Kent Collection: The Coronation of Czar Nicolas II (oil on canvas)

The Coronation of Czar Nicolas II (oil on canvas)
487650 The Coronation of Czar Nicolas II (oil on canvas) by Tuxen, Laurits Regner (1853-1927); 141x180 cm; Private Collection; (add.info.: Nicholas II (1868-1918) last Emperor of Russia

Background imageWilliam Kent Collection: London and Westminster Light Horse Volunteer (aquatint)

London and Westminster Light Horse Volunteer (aquatint)
5926114 London and Westminster Light Horse Volunteer (aquatint) by Rowlandson, Thomas (1756-1827) (after); National Army Museum, London; (add.info.: London and Westminster Light Horse Volunteer)

Background imageWilliam Kent Collection: Chiswick, view of the Villa on the Inigo Jones statue side

Chiswick, view of the Villa on the Inigo Jones statue side
5926047 Chiswick, view of the Villa on the Inigo Jones statue side (pen & ink and wash over pencil on paper) by Kent, William (1684-1748); 29x37.1 cm; eThe Devonshire Collections

Background imageWilliam Kent Collection: Chiswick, view of the villa from the Palladio statue side

Chiswick, view of the villa from the Palladio statue side
5926045 Chiswick, view of the villa from the Palladio statue side (pen & ink and wash over pencil on paper) by Kent, William (1684-1748); 25.9x36.4 cm; eThe Devonshire Collections

Background imageWilliam Kent Collection: Lady Burlington at her easel in her Garden Room (pen & ink and pencil on paper)

Lady Burlington at her easel in her Garden Room (pen & ink and pencil on paper)
5926043 Lady Burlington at her easel in her Garden Room (pen & ink and pencil on paper) by Kent, William (1684-1748); 23.1x18.1 cm; eThe Devonshire Collections

Background imageWilliam Kent Collection: Chiswick, design for a rockword cascade with an octagonal Doric temple on the terrace

Chiswick, design for a rockword cascade with an octagonal Doric temple on the terrace
5926031 Chiswick, design for a rockword cascade with an octagonal Doric temple on the terrace behind (pen and ink over pencil on paper) by Kent

Background imageWilliam Kent Collection: Taking a French eagle at Barossa, 1811 (print)

Taking a French eagle at Barossa, 1811 (print)
5926013 Taking a French eagle at Barossa, 1811 (print) by Dubourg, Matthew (fl.1813-20); National Army Museum, London; (add.info.: Taking a French eagle at Barossa, 1811)

Background imageWilliam Kent Collection: Chiswick, design for a cascade (pen and ink and wash on paper)

Chiswick, design for a cascade (pen and ink and wash on paper)
5926005 Chiswick, design for a cascade (pen and ink and wash on paper) by Kent, William (1684-1748); 35.5x47 cm; eThe Devonshire Collections

Background imageWilliam Kent Collection: Chiswick, design for a pedimented cascade combined with a road bridge at the end of

Chiswick, design for a pedimented cascade combined with a road bridge at the end of
5925996 Chiswick, design for a pedimented cascade combined with a road bridge at the end of the canal ( pen & ink and wash on paper) by Kent

Background imageWilliam Kent Collection: Design for Chimney Piece in the Hall at Stowe, c. 1733 (pen & ink with wash over graphite

Design for Chimney Piece in the Hall at Stowe, c. 1733 (pen & ink with wash over graphite
XYC288951 Design for Chimney Piece in the Hall at Stowe, c.1733 (pen & ink with wash over graphite on paper) by Kent, William (1684-1748); 29.5x21.3 cm; Yale Center for British Art

Background imageWilliam Kent Collection: Floral temple and round pool, 1730-33 (pen & brown wash over pencil on paper)

Floral temple and round pool, 1730-33 (pen & brown wash over pencil on paper)
5196977 Floral temple and round pool, 1730-33 (pen & brown wash over pencil on paper) by Kent, William (1684-1748); 25x35.5 cm; eThe Devonshire Collections

Background imageWilliam Kent Collection: Black pawn, chess piece, India, 1820 circa (ivory)

Black pawn, chess piece, India, 1820 circa (ivory)
5924112 Black pawn, chess piece, India, 1820 circa (ivory) by Indian School, (19th century); National Army Museum, London; (add.info.: Black pawn, chess piece, India, 1820 circa)

Background imageWilliam Kent Collection: Chiswick, view of the side of the Deer House taken from the inner embankment of the ha-ha

Chiswick, view of the side of the Deer House taken from the inner embankment of the ha-ha
5926012 Chiswick, view of the side of the Deer House taken from the inner embankment of the ha-ha of the deer enclosure and with a glimpse of the Doric Column (pen & wash on paper) by Kent

Background imageWilliam Kent Collection: Portrait of Lady Charlotte Boyle, Baroness Clifford and Marchioness of Hartington, c

Portrait of Lady Charlotte Boyle, Baroness Clifford and Marchioness of Hartington, c
3934291 Portrait of Lady Charlotte Boyle, Baroness Clifford and Marchioness of Hartington, c.1748-56 (oil on canvas) by Knapton, George (1698-1778); 127x101.6 cm; eThe Devonshire Collections

Background imageWilliam Kent Collection: The Return of the Prodigal Son, c. 1712-16 (oil on canvas)

The Return of the Prodigal Son, c. 1712-16 (oil on canvas)
3934290 The Return of the Prodigal Son, c.1712-16 (oil on canvas) by Kent, William (1684-1748); 105.4x90.2 cm; eThe Devonshire Collections

Background imageWilliam Kent Collection: Prince Charles farewell of the Infanta 1623

Prince Charles farewell of the Infanta 1623
908603 Prince Charles farewell of the Infanta 1623 by Gow, Mary L. (1851-1929); Private Collection; (add.info.: Cassells History of England published by Cassell and Company Limited circa 1920)

Background imageWilliam Kent Collection: View into the Exedra at Chiswick (pen & ink with brown wash on paper)

View into the Exedra at Chiswick (pen & ink with brown wash on paper)
908590 View into the Exedra at Chiswick (pen & ink with brown wash on paper) by Kent, William (1684-1748); 29x40.3 cm; eThe Devonshire Collections

Background imageWilliam Kent Collection: Lindsay Drawings Vol. VII, 21, 1760-1780s (w / c on paper)

Lindsay Drawings Vol. VII, 21, 1760-1780s (w / c on paper)
3473719 Lindsay Drawings Vol. VII, 21, 1760-1780s (w/c on paper) by Lindsay, John (1729-88); 29x47 cm; Bristol Museum and Art Gallery, UK; (add.info.: a page from the Lindsay Elegancies, Vol VII)

Background imageWilliam Kent Collection: A painted and gilded baby carriage (mixed media)

A painted and gilded baby carriage (mixed media)
3471517 A painted and gilded baby carriage (mixed media) by Kent, William (1684-1748); 130x120 cm; eThe Devonshire Collections

Background imageWilliam Kent Collection: Study of Drapery, 1860-65 (chalk, gouache & grey wash on paper)

Study of Drapery, 1860-65 (chalk, gouache & grey wash on paper)
CLK408375 Study of Drapery, 1860-65 (chalk, gouache & grey wash on paper) by Degas, Edgar (1834-1917); 26.3x18.8 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Background imageWilliam Kent Collection: Equestrian portrait of Charlotte Boyle, Marchioness of Hartington, 1747 (oil on canvas)

Equestrian portrait of Charlotte Boyle, Marchioness of Hartington, 1747 (oil on canvas)
CTS407282 Equestrian portrait of Charlotte Boyle, Marchioness of Hartington, 1747 (oil on canvas) by Kent, William (1684-1748); 76.8x57.8 cm; © The Devonshire Collections



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