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The Fool Who Does Not Turn To Another's Death, 1660-86 (brush and Indian ink on paper)
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The Fool Who Does Not Turn To Another's Death, 1660-86 (brush and Indian ink on paper)
7308387 The Fool Who Does Not Turn To Another's Death, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Wilhelm Stettler (1643-1708)
Caspar Merian (1627-1686)
brush and Indian ink on laid paper
h x w: sheet 11.5 x 10.5 cm); © Ashmolean Museum
Media ID 28384008
© Ashmolean Museum / Bridgeman Images
Bedroom Bedrooms Belittling Court Jester Derides Derision Dwellings Foolery Jester Joker Make Fun Of Mockery Scoff Vice Virtue Virtues Virtuous 17 17th 17th 17th Xvii 18th Century Beds Circa 1600 Deaths Dwelling Places Dying Early 17th Century Early Xvii Century Mortality Passed Away Piece Of Furniture Seventeeth Century Swissman Townhouse Townhouses
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The Fool Who Does Not Turn To Another's Death
EDITORS COMMENTS
is a captivating artwork by Wilhelm Stettler, created between 1660 and 1686. This intricate piece, measuring 11.5x10.5 cm, showcases the artist's mastery of brushwork and Indian ink on laid paper. Displayed at the Ashmolean Museum in the University of Oxford, UK, this work exemplifies Stettler's talent for capturing complex emotions through his art. The composition depicts a court jester or fool standing beside a bed with an enigmatic expression on his face. The jester symbolizes mockery and derision as he gazes upon death itself. Through this image, Stettler explores themes of mortality and human vulnerability. The contrast between black and white adds depth to the illustration while emphasizing the somber nature of death. Stettler was a Swiss artist known for his virtuosity in capturing both physical details and emotional nuances in his works. His collaboration with Caspar Merian resulted in numerous masterpieces that continue to captivate audiences today. This print serves as a reminder of our own mortality while also questioning societal norms surrounding death and mourning practices during the seventeenth century. It invites viewers to reflect on life's fleeting nature and contemplate their own virtues or vices. "The Fool Who Does Not Turn To Another's Death" is an exquisite example of Stettler's skillful craftsmanship that continues to inspire art enthusiasts worldwide.
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