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Royal & Ecclesiastical Gamers, c. 1609 (engraving)

Royal & Ecclesiastical Gamers, c. 1609 (engraving)


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Royal & Ecclesiastical Gamers, c. 1609 (engraving)

XJF877602 Royal & Ecclesiastical Gamers, c.1609 (engraving) by Cockson, Thomas (fl.1591-1636) (after); Private Collection; (add.info.: Based on Cocksons print The Revells of Christendome which satirises James VI & I (1566-1625), Henri IV of France (1553-1610), the Pope, Prince Maurice of Nassau (1567-1625) and Christian IV of Denmark (1577-1648). See image 877603.); British, out of copyright

Media ID 12942169

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Betting Christendom Corruption Denmark Gambler Gamblers Gambling Henri Iv James Vi And I Maurice Of Nassau Papacy Princes Revels Vice Christian Iv Ecclesiastical Monks Rulers


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EDITORS COMMENTS
This engraving titled "Royal & Ecclesiastical Gamers, c. 1609" by Thomas Cockson takes us back to a time of political satire and social commentary. The print is based on Cockson's earlier work, "The Revells of Christendome" which cleverly satirizes prominent figures such as James VI & I, Henri IV of France, the Pope, Prince Maurice of Nassau, and Christian IV of Denmark. In this image, we see a group of influential individuals engaged in various games and gambling activities. It serves as a critique on the vices and corruption that can be associated with power and authority. The artist skillfully portrays these royal and ecclesiastical figures indulging in their desires while highlighting the consequences it may have on society. Through this artwork, Cockson invites viewers to reflect upon the role religion plays in politics and how it can sometimes be manipulated for personal gain. The inclusion of dogs symbolizes loyalty or perhaps hints at their animalistic behavior behind closed doors. "Royal & Ecclesiastical Gamers" offers an intriguing glimpse into 17th-century Europe's political landscape where religious tensions were high between Catholicism and Protestantism. This print not only showcases Cockson's artistic talent but also provides valuable historical insights into the complex relationships between kings, princes, popes, rulers, monks - all intertwined within a web of power struggles across nations like England, France, Denmark, and the Netherlands. Overall, this engraving stands as a

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