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The Capture of Escalette, 18th November 1676 (black ink & mapping pen with w / c on paper)

The Capture of Escalette, 18th November 1676 (black ink & mapping pen with w  /  c on paper)


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The Capture of Escalette, 18th November 1676 (black ink & mapping pen with w / c on paper)

449361 The Capture of Escalette, 18th November 1676 (black ink & mapping pen with w/c on paper) by Bonnet, Sylvain (fl.1672-92); 49.2x37.8 cm; eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; French, out of copyright

Media ID 23497310

© Reproduced by permission of Chatsworth Settlement Trustees / Bridgeman Images

Accoutrement Banner Banners Capture Cartouche L Oeil Loeil Northern Putti Studies Trompe Wars Cherub Cherubim Cherubs


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> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Arts > Realistic drawings > Landscape drawings > Fine art

> Baroque paintings

> Europe > France > Military

> Fine Art Finder > Artists > Sebastian Vrancx

> Fine Art Finder > Artists > Sylvain Bonnet

> Fine Art Finder > Drawings & Studies

> Historic > Renaissance art > Baroque art > Renaissance paintings

> Historic > Renaissance art > Baroque art

> Historic > Renaissance art > Landscape painting during

> Historic > Renaissance art > Northern Renaissance art

> Historic > Renaissance art


The Capture of Escalette, 18th November 1676

EDITORS COMMENTS
is a captivating black ink and mapping pen print that transports viewers back to the intense world of warfare in the late 17th century. Created by Sylvain Bonnet, a talented artist from the French Baroque period, this artwork measures an impressive 49.2x37.8 cm. The scene depicted in this print showcases a dramatic battle unfolding on a rugged landscape surrounded by majestic mountains. The flags fluttering proudly in the wind add an element of grandeur to the composition while emphasizing the gravity of war. The meticulous attention to detail brings every aspect of military life to life, from soldiers' accoutrements to their banners. Bonnet's skillful use of watercolors adds depth and vibrancy to this study drawing, capturing both the chaos and beauty inherent in war. The inclusion of cherubs and trompe l'oeil elements further enhances its artistic appeal. This print is part of "The Devonshire Collections" at Chatsworth House and offers us a glimpse into history through artistry. It serves as a reminder not only of past conflicts but also as an appreciation for the talent and dedication required to create such intricate works. Reproduced with permission from Chatsworth Settlement Trustees, this piece allows us to admire Bonnet's mastery while immersing ourselves in a pivotal moment captured forever on paper.

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