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Roberts in Afghanistan, reading the Proclamation of Martial Law at Kabul, 12 October 1879 (litho)
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Roberts in Afghanistan, reading the Proclamation of Martial Law at Kabul, 12 October 1879 (litho)
1593168 Roberts in Afghanistan, reading the Proclamation of Martial Law at Kabul, 12 October 1879 (litho) by Forestier, Amedee (1854-1930) (after); Private Collection; (add.info.: Roberts in Afghanistan, reading the Proclamation of Martial Law at Kabul, 12 October 1879. Illustration for The Illustrated London News, 5 January 1901.
A Forestier); Look and Learn / Illustrated Papers Collection
Media ID 23071168
© Look and Learn / Illustrated Papers Collection / Bridgeman Images
Afghanistan Bala Hissar British Government Chief Frederick Roberts Heir Apparent Kabul Ministers Roberts Second Anglo Afghan War
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EDITORS COMMENTS
The captivating lithograph, "Roberts in Afghanistan, reading the Proclamation of Martial Law at Kabul, 12 October 1879" transports us back to a significant moment in history. The image depicts General Frederick Roberts as he stands tall and authoritative, surrounded by a group of Afghan officials and ministers. This powerful scene takes place within the public hall of audience at Bala Hissar, Kabul. In this solemn ceremony during the Second Anglo-Afghan War, Roberts reads aloud the Proclamation of Martial Law. His presence exudes strength and determination as he asserts British authority over Afghanistan. The atmosphere is tense yet filled with anticipation for what lies ahead. The litho beautifully captures every detail - from the elaborate ceremonial attire worn by both Roberts and his Afghan counterparts to their serious expressions that betray an underlying tension between two nations on opposing sides. The engraving skillfully brings to life this historical event that shaped the course of relations between Britain and Afghanistan. This print serves as a reminder of the complexities inherent in military conflicts and political maneuverings during colonial times. It invites us to reflect upon the consequences such actions have had on societies throughout history. As we gaze upon this remarkable artwork from Forestier's hand, we are transported into a world long gone but not forgotten – where power dynamics were played out on distant shores amidst cultural differences and conflicting interests.
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