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"L'Assiette au beurre": situation in Morocco, 1903 (print)

'L'Assiette au beurre': situation in Morocco, 1903 (print)


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"L'Assiette au beurre": situation in Morocco, 1903 (print)

PCT4715043 "L'Assiette au beurre": situation in Morocco, 1903 (print) by Moriss (fl.1903); (add.info.: Status quo: drawing by Moriss number 140 of December 5, 1903 devoted to Morocco. The major European powers (four big countries of Europe, France, Spain, Germany and the United Kingdom) compete for Morocco as a game (rabbit or hare) discarded by colonial predators between Sahara, Atlantic Ocean and Mediterranean Sea)

Media ID 33088106

© Bridgeman Images

Atlantic Ocean Colony Gusman Maghrebin Maghrebine Moroccan Morocco Rabbit Arab Civilization Maghreb Mzprint


FEATURES IN THESE COLLECTIONS

> Africa > Morocco > Related Images

> Animals > Farm > Related Images

> Animals > Mammals > Hare

> Animals > Mammals > Leporidae > European Hare

> Animals > Mammals > Leporidae > European Rabbit

> Animals > Mollusks > Sea Hares

> Europe > Germany > Politics

> Europe > Spain > Politics

> Fine Art Finder > Artists > Moriss

> Fine Art Finder > Artists > Reiner Vinkeles

> Historic > Colonial history > Colonial art and artists

> Historic > Colonial history


EDITORS COMMENTS
This print titled "L'Assiette au beurre: situation in Morocco, 1903" by Moriss takes us back to a significant moment in history. The image portrays the complex political landscape of Morocco during the early 20th century when major European powers vied for control over this North African nation. In this satirical drawing, we witness a game-like scenario where colonial predators from France, Spain, Germany, and the United Kingdom compete for dominance over Morocco. The artist cleverly depicts these nations as animals - rabbits or hares - discarding their prey between the Sahara Desert, Atlantic Ocean, and Mediterranean Sea. The vibrant colors used in this artwork bring attention to the intensity of this struggle for power and resources. It serves as a thought-provoking commentary on colonialism and its impact on Africa's history. Morocco itself is depicted as an innocent farm animal caught up in this geopolitical battle. This portrayal highlights how African nations were often seen as pawns in larger international conflicts during that era. Through this historical newspaper illustration from "L'Assiette au beurre" we gain insight into the complexities of Moroccan politics at that time. It also reminds us of the rich Arab civilization present within North Africa's Maghreb region. Overall, Patrice Cartier's print captures both artistic brilliance and historical significance through its depiction of power struggles and colonial dynamics in early 20th-century Morocco.

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