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Christ Appearing to Mary Magdalene (Noli Me Tangere), 1485-1500 (wool, silk
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Christ Appearing to Mary Magdalene (Noli Me Tangere), 1485-1500 (wool, silk
2972831 Christ Appearing to Mary Magdalene (Noli Me Tangere), 1485-1500 (wool, silk, & gilt-metal-strip-wrapped silk) by Netherlandish School; 111.2x111.5 cm; The Art Institute of Chicago, IL, USA; (add.info.: Southern Netherlands, possibly Brussels.); Bequest of Mr. and Mrs. Martin A. Ryerson; Netherlandish, out of copyright
Media ID 23429730
© Bequest of Mr. and Mrs. Martin A. Ryerson / Bridgeman Images
Brussels Mary Magdalene Noli Me Tangere Resurrection Risen Christ Tapestries Belgians Belgium Belgian Benelux Countries Southern Netherlands
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EDITORS COMMENTS
This print showcases the exquisite tapestry titled "Christ Appearing to Mary Magdalene (Noli Me Tangere)" created between 1485 and 1500 by the Netherlandish School. The artwork, measuring 111.2x111.5 cm, is housed in The Art Institute of Chicago, IL, USA. The piece originates from the Southern Netherlands, possibly Brussels, and was generously bequeathed to the museum by Mr. and Mrs. Martin A. Ryerson. Crafted with wool, silk, gilt-metal-strip-wrapped silk threads; this textile masterpiece beautifully depicts a biblical scene. In this momentous image captured on fabric, we witness Mary Magdalene kneeling before Jesus Christ after his resurrection as described in the New Testament's Gospel of John (20:11-18). The phrase "Noli Me Tangere" meaning "Do not touch me" in Latin appears above them. The tapestry emanates religious significance and evokes deep emotions through its intricate details and vibrant colors meticulously woven into each thread. It stands as a testament to both Christian faith and artistic skill. As we gaze upon this remarkable work of art from Belgium—a country known for its rich cultural heritage—we are reminded of how religion has inspired countless masterpieces throughout European history. Bridgeman Images presents us with an opportunity to appreciate this awe-inspiring photograph that captures every nuance of the original artwork without commercial intentions but rather as a means to celebrate beauty and spirituality through visual
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