Risen Christ Collection

Tapestry fragment depicting the Resurrection of Christ, from Nuremberg, c. 1440 (wool & linen)
3576047 Tapestry fragment depicting the Resurrection of Christ, from Nuremberg, c.1440 (wool & linen) by German School, (15th century); 91.4x59.6 cm; Burrell Collection, Glasgow

Redeemer, c. 1535 (marble)
3702627 Redeemer, c.1535 (marble) by Fantoni, Giacomo (fl.c.1530-d.c.1543); Franchetti Gallery, Ca D Oro, Venice, Veneto, Italy; eMark Edward Smith; Italian, out of copyright

Resurrection Themes, detail, 1850 (stained glass)
3475305 Resurrection Themes, detail, 1850 (stained glass) by Pugin, Augustus Welby Northmore (1812-52); Chester Cathedral, Cheshire, UK; (add.info.: ); eAlastair Carew-Cox; English, out of copyright

Christ Appearing to Mary Magdalene (Noli Me Tangere), 1485-1500 (wool, silk
2972831 Christ Appearing to Mary Magdalene (Noli Me Tangere), 1485-1500 (wool, silk, & gilt-metal-strip-wrapped silk) by Netherlandish School; 111.2x111.5 cm; The Art Institute of Chicago, IL

The Supper at Emmaus (oil on canvas)
5918326 The Supper at Emmaus (oil on canvas) by Bassano, Jacopo (J. da Ponte) (1510-92) & Bassano, Francesco (F. da Ponte) (1549-92)

The Mass of Saint Gregory (tempera on panel with gold)
CH261379 The Mass of Saint Gregory (tempera on panel with gold) by Frances, Nicolas (fl.1424-68); 31x20.5 cm; Private Collection; Photo eChristies Images; Spanish, out of copyright

Noli Me Tangere, 1442 (fresco)
BEN43891 Noli Me Tangere, 1442 (fresco) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); 180x146 cm; Museo di San Marco, Florence, Italy; Photo eRaffaello Bencini; Italian

Incidents at the Resurrection, 1858 (stained glass)
3474714 Incidents at the Resurrection, 1858 (stained glass) by Bell, Alfred (1832-1895); Minster Church of St George, Doncaster

Resurrection Themes, 1850 (stained glass)
3475304 Resurrection Themes, 1850 (stained glass) by Pugin, Augustus Welby Northmore (1812-52); Chester Cathedral, Cheshire

The Risen Christ, 1862 (stained glass)
3474792 The Risen Christ, 1862 (stained glass) by Clayton, John Richard (1827-1913); Peterborough Cathedral, Cambridgeshire

The Resurrection, 1619-20 (oil on canvas)
2968487 The Resurrection, 1619-20 (oil on canvas) by Caravaggio, Cecco de (1588/90-after 1620); 339.1x199.5 cm; The Art Institute of Chicago, IL, USA; Charles H. and Mary F. S

Revelations Iesu nasijn Verrysenisse title object
Revelations Iesu nasijn Verrysenisse (title on object) Den Grooten Figuer-Bibel (...) (series title), Text sheet with a series of prints about appearances of the risen Christ. Top left initial D

Peter receives keys Christ Peter kneels risen Christ
Peter receives the keys from Christ, Peter kneels before the risen Christ and receives the keys from him. On the left two sheep

Historiated Initial E Excised Antiphonary Risen Christ
Historiated Initial (E) Excised from an Antiphonary: Risen Christ in the Tomb, c. 1420-1450. Italy, Milan, 15th century. Ink, tempera, and gold on parchment; sheet: 13.4 x 14 cm (5 1/4 x 5 1/2 in.)

Risen Christ St Andrew Longinus early 1470 Andrea Mantegna
The Risen Christ between St Andrew and Longinus, early 1470 s. Andrea Mantegna (Italian, 1431-1506). Engraving; sheet: 30.4 x 27.1 cm (11 15/16 x 10 11/16 in.)

Pyx Women Christ Tomb 500s Eastern Mediterranean
Artokoloro

Risen Christ Saint Andrew Longinus ca 1472 Engraving
Artokoloro

Risen Christ Virgin St Joseph Appearing Peter
Artokoloro

Design Liturgical Object Statues Kneeling Saint
Artokoloro

The Resurrection of Christ, c. 1502 (oil on panel)
XIR900220 The Resurrection of Christ, c.1502 (oil on panel) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Museu de Arte, Sao Paulo, Brazil; (add.info.: La Resurrection du Christ); Italian

The Supper at Emmaus, 1601 (oil and tempera on canvas) (detail of 928)
XCF263501 The Supper at Emmaus, 1601 (oil and tempera on canvas) (detail of 928) by Caravaggio, Michelangelo Merisi da (1571-1610); 141x196.2 cm; National Gallery, London, UK; Italian

Western gate sculpture of the risen Christ holding the world, Saint-Corentin Cathedral, Quimper, Finistere, Brittany, France, Europe

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"Behold the Risen Christ: A Tapestry of Faith and Redemption" In a tapestry fragment from Nuremberg, dating back to 1440, we witness the Resurrection of Christ. The intricate weaving of wool and linen brings to life the transformative moment when Jesus triumphantly rises from the dead. A Redeemer carved in marble around 1535 stands as a testament to divine grace. Its smooth contours capture the serene power emanating from Christ's figure, reminding us of his ultimate sacrifice for humanity's salvation. Resurrection Themes depicted in stained glass panels from 1850 transport us through time, illuminating stories that have captivated hearts for centuries. These vibrant windows portray scenes filled with hope and renewal, inviting contemplation on the eternal significance of Christ's resurrection. Noli Me Tangere, an oil painting on panel created around 1525 by an unknown artist, portrays one poignant encounter between Christ and Mary Magdalene. Through delicate brushstrokes, we witness her awe-struck face as she realizes that her beloved teacher has risen indeed. Another depiction of this profound moment is captured in wool and silk embroidery dated between 1485-1500. The tactile texture adds depth to Mary Magdalene's astonishment as she reaches out towards Jesus in Noli Me Tangere (Christ Appearing to Mary Magdalene). The Supper at Emmaus unfolds before our eyes on canvas through skillful strokes of oil paint. This masterpiece invites us into an intimate scene where two disciples recognize their resurrected Lord during a shared meal—a powerful reminder that He walks among us even today. The Mass of Saint Gregory rendered with tempera on panel with gold showcases a sacred vision where Pope Gregory witnesses the miraculous presence of Christ during mass—an affirmation that His resurrection transcends time and space. Fresco artistry breathes life into Noli Me Tangere (1442), capturing moments after Jesus' resurrection.