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Crucifixion, 1355 (tempera and oil on panel)
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Crucifixion, 1355 (tempera and oil on panel)
1630109 Crucifixion, 1355 (tempera and oil on panel) by Veneziano, Lorenzo (fl.1356-72); 56X69 cm; Museo Nazionale del Palazzo di Venezia, Rome, Italy; (add.info.: (from the church of St. George in Piran, Slovenia): Paolo Veneziano, Crucifixion (1355).
Roma, Museo Nazionale di Palazzo Venezia (gia nella chiesa di San Giorgio a Pirano, Istria): Paolo Veneziano, Crocifissione (1355). ); Ghigo Roli
Media ID 25148262
© Ghigo Roli / Bridgeman Images
Christianism Crucifixion Golden Background Grief Grieving Maria Medieval Art Mouring Mournful Sorrow 1300s 14 14o Xiv Xivo Secolo 14 14th Xiv Xivth Century 14 Century C14th Fourteenth Century Late 14th Century Mourning The 14th Century Xiv Century Xiv Secolo Xivth Century
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EDITORS COMMENTS
This print showcases Lorenzo Veneziano's masterpiece, "Crucifixion" painted in 1355. The artwork, measuring 56x69 cm, is currently housed at the Museo Nazionale del Palazzo di Venezia in Rome, Italy. Originally from the church of St. George in Piran, Slovenia, this painting by Paolo Veneziano depicts a profound moment of Christian history. The image portrays the crucifixion of Jesus Christ with remarkable detail and skillful use of tempera and oil on panel. Set against a striking golden background that adds an ethereal quality to the scene, the artist captures both the physical suffering and emotional weight of this pivotal event. Grief permeates every brushstroke as Mary, mother of Jesus (also known as Madonna or Maria), stands beside her son's cross in deep sorrow. The composition evokes a sense of mourning that resonates with viewers even after centuries have passed. Veneziano's work exemplifies Gothic art from the late 14th century with its intricate details and emotive portrayal. This painting serves as a testament to his talent as well as his ability to convey complex emotions through visual storytelling. As we gaze upon this powerful depiction of sacrifice and redemption, we are reminded not only of the religious significance but also how art can transcend time and connect us to our shared human experience across generations.
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