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Ends (litho)

Ends (litho)


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Ends (litho)

7150298 Ends (litho) by Barrett, Oswald Charles (BATT) (1892-1945); Private Collection; (add.info.: Ends. Illustration from How Should We Rebuild London? by C B Purdom (J M Dent & Sons Ltd, London, 1945).); © Look and Learn

Media ID 25192552

© Look and Learn / Bridgeman Images

1940 1949 19401949 1940s 39 45 Agricultural Scene Astronomical Calculus Cereal Cereals Corn Corn Crop Corn Crops Cornfields Crown Of Thorns Crown Of Thorns And Nails Crowns Ears Of Corn Forties Future Ii World War Jersus Christ Jesus Chirst Jesus Christs Jesus King Life Of Christ Life Of Jesus London Nw Lonodn Lord Jesus Maize Mathematics Nineteen Forties Numeracy Outer Space Planetary Science Post War Postwar Progress Reconstruction Reenactment Replica Reproduction Second World War Space Space And Astronomy Star Starry Stars The City Of London The Forties Urban Districts Vegetable Vegetables War 1939 1945 Wheat Wheatsheaves World War World War 2 World War Ii World War Two Wwii Www2 Christ Jesus General Knowledge Jesus Of Nazareth Knowing Londinium Londoner Musics War Scene War Zone


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> Animals > Mammals > Muridae > Fortior

> Arts > Artists > C > King Charles

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Ends (litho) by Oswald Charles Barrett - A Satirical Depiction of Post-War Reconstruction

EDITORS COMMENTS
. This black and white lithograph, titled "Ends" created by Oswald Charles Barrett in the mid-20th century, offers a thought-provoking commentary on post-war reconstruction. The artwork was originally featured in the book "How Should We Rebuild London?" written by C. B. Purdom in 1945. The illustration presents a complex composition that intertwines various elements from different realms of knowledge and history. At its center, we see a crown of thorns symbolizing suffering and sacrifice, juxtaposed with a cross representing Christianity. Surrounding these religious symbols are depictions of wheat and corn, signifying agriculture and sustenance. Barrett's satirical drawing also includes references to science, music, mathematics, astronomy, and literature – all crucial aspects of human progress throughout history. This amalgamation suggests that rebuilding London after the war requires not only physical reconstruction but also intellectual growth. The artist skillfully incorporates imagery related to war as well; an ominous star looms overhead while an open book lies at the bottom corner – perhaps representing lessons learned from past conflicts. Through this intricate composition filled with symbolism and historical references, Barrett invites viewers to contemplate the future of Great Britain amidst the aftermath of World War II. It serves as a reminder that true progress lies not only in physical reconstruction but also in embracing knowledge across various disciplines for a brighter tomorrow.

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