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Chandelier in the refectory, Pere Mata Institute, Reus, 1897-1912 (photo)
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Chandelier in the refectory, Pere Mata Institute, Reus, 1897-1912 (photo)
8618123 Chandelier in the refectory, Pere Mata Institute, Reus, 1897-1912 (photo) by Domenech i Montaner, Luis (1849-1923); (add.info.: Reus, modernist city (Art Nouveau)
Pere Mata Institute (1897-1919)
Lluis Domenech i Montaner (Architect)
Pavilion 6 -The refectory - The chandelier
Designed by the architect Lluis Domenech i Montaner, the building was designed by the doctor Emili Brianso, who persuaded the Reus bourgeoisie to invest in this ambitious psychiatric hospital project at the end of the 19th century.
The number six, known under the name Dels Distingits, is particularly remarkable for its great ornamental richness. It is the one with the greatest artistic value of the whole complex because it preserves the spectacular aesthetic repertoire typical of modernism: windows, mosaics, ceramics and original furniture.); © Jean-Paul Paireault
Media ID 33391504
© © Jean-Paul Paireault / Bridgeman Images
20eme Siecle Annees 10 Annees 1900 Canteen Cantine Couleur Espagne Hopital Hospital Hospitals Immeuble Interieur Interior Scene Lamp Lampe Lamps Mouvement Artistique Refectory Repas Secession Jugendstyl 1900 1909 Years 00 00s 1900 1910 Years 00 00s 1900 1910 Years 10 10s 1910 1919 1910 1919 Years 10 10s 19e Siecle 19th Century 19eme Siecle 19th C Art Style Building Interior Dine Mealtime Room Interior Years 1910 Years 10 Years Ten
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EDITORS COMMENTS
This photograph captures the exquisite beauty of a chandelier in the refectory of Pere Mata Institute in Reus, Spain. Taken between 1897 and 1912 by renowned photographer Domenech i Montaner, this image showcases the remarkable artistic value of Pavilion 6 within the institute. Designed by architect Lluis Domenech i Montaner, this building was part of an ambitious psychiatric hospital project initiated by Dr. Emili Brianso at the end of the 19th century. The number six, known as Dels Distingits, stands out for its ornamental richness and is considered one of the most artistically significant parts of the entire complex. The chandelier itself is a testament to the grandeur and opulence characteristic of modernism, with its intricate details and elegant design. It illuminates not only the physical space but also represents a symbol of hope and enlightenment within this psychiatric institution. Surrounded by windows adorned with mosaics, ceramics, and original furniture typical to modernist art movement aesthetics; this chandelier serves as a focal point that adds to the overall splendor found throughout Pavilion 6. Jean-Paul Paireault's expertly captured print allows viewers to appreciate every detail: from delicate crystals reflecting light to elaborate metalwork that holds them together. This image transports us back in time to experience firsthand both architectural brilliance and artistic mastery intertwined in early twentieth-century design. As we gaze upon this mesmerizing photograph, we are reminded not only of its historical significance but also how art can transcend time – capturing moments that continue to inspire awe even over a century later.
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