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Triumphs of the Mother of God or Panos de Oro, c. 1500-02 (tapestry)
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Triumphs of the Mother of God or Panos de Oro, c. 1500-02 (tapestry)
CUL4908989 Triumphs of the Mother of God or Panos de Oro, c.1500-02 (tapestry) by Coecke van Aelst, Pieter (1502-50) (attr. to); 320x372 cm; Monasterio del Escorial, Madrid, Spain; (add.info.: God send the Archangel Gabriel. Balaam. Bible character. Prophet and diviner of the region of Mesopotamia. Appears in the Book of Numbers
First tapestry in the series, model Colin de Cooter(?). Manufacture Pieter van Aelst (or van Edingen), Brussels. Origin Collection of Joana I of Castile. On display Halls of Honour. National Heritage (Patrimonio Nacional) inv 10034476.); Photo © Maeyaert/AIC
Media ID 31713770
© Maeyaert/AIC / Bridgeman Images
Appcultura Balaam Decorative Arts Early Modern Era Flemish Style Fortune Teller God Send The Arch Israel Judaic Madrid Autonomous Community Mesopotamia Multiple People Old Will Prediction Prophet Prophete San Lorenzo De El Escorial Tapestrey Threat Western Art Biblical Charcter Biblical Figure Flemish Art Flemish Artist Jewish Religion Jews Tapestries
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EDITORS COMMENTS
This print showcases the "Triumphs of the Mother of God or Panos de Oro" a remarkable tapestry created by Coecke van Aelst, Pieter in the early 16th century. Measuring an impressive 320x372 cm, this Flemish-style artwork is housed in the Monasterio del Escorial in Madrid, Spain. The tapestry depicts a scene from the Book of Numbers featuring Balaam, a prophet and diviner from Mesopotamia. In this particular panel, God sends the Archangel Gabriel to deliver a message to Balaam. The composition is rich with vibrant colors and intricate details that bring this biblical narrative to life. Crafted by Pieter van Aelst (or van Edingen) in Brussels, this tapestry was originally part of Joana I of Castile's collection. Today, it can be admired in the Halls of Honour at San Lorenzo de El Escorial as part of Spain's National Heritage. The image captures not only religious symbolism but also elements of Flemish art and Renaissance aesthetics. It offers viewers a glimpse into early modern European society and its fascination with biblical stories. With its fusion of various artistic influences and meticulous craftsmanship, this tapestry stands as an exquisite example of decorative arts from the 16th century. Its historical significance and visual allure make it a true treasure within Western art history.
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