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Rear wall painting of the Upper Hall glorifying George I (1660-1727

Rear wall painting of the Upper Hall glorifying George I (1660-1727


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Rear wall painting of the Upper Hall glorifying George I (1660-1727

BTN208090 Rear wall painting of the Upper Hall glorifying George I (1660-1727) and the House of Hanover, 1718-24 (see also 208091, 7797 & 28499) by Thornhill, James (1675-1734); Royal Naval College, Greenwich, London, UK; (add.info.: self portrait of artist on bottom right; celebration of Protestant succession of English monarchs William and Mary to George I; ); eJames Brittain; English, out of copyright

Media ID 23256258

© James Brittain / Bridgeman Images

Abundance Apotheosis Globe Glorification Glory Heavens King Of England Protestantism Royal Hospital Sceptre Sir Christopher Wren Allegorical


FEATURES IN THESE COLLECTIONS

> Animals > Birds > Passerines > Wrens > House Wren

> Arts > Artists > J > William James

> Arts > Artists > T > James Thornhill

> Europe > United Kingdom > England > London > Art > Paintings

> Europe > United Kingdom > England > London > Boroughs > Greenwich

> Europe > United Kingdom > England > London > Hospitals

> Europe > United Kingdom > England > London > Royalty

> Europe > United Kingdom > England > London > Sights > St Pauls Cathedral

> Europe > United Kingdom > England > London > Towns > Greenwich

> Europe > United Kingdom > England > Paintings

> Fine Art Finder > Allegories,proverbs & Zodiac Signs

> Fine Art Finder > Artists > James Thornhill


EDITORS COMMENTS
This print showcases the rear wall painting of the Upper Hall at the Royal Naval College in Greenwich, London. Created by renowned artist James Thornhill between 1718 and 1724, this masterpiece glorifies George I (1660-1727) and the House of Hanover. The painting is a magnificent display of allegorical symbolism, with elements such as a sceptre, globe, crown, and angel representing power and abundance. It also celebrates the Protestant succession of English monarchs from William and Mary to George I. The heavens above are filled with angels, signifying divine approval for this momentous event. Intriguingly, Thornhill includes a self-portrait on the bottom right corner of his creation. This inclusion not only adds a personal touch but also highlights his significant role in immortalizing this historical moment. The composition exudes glory and glorification as it pays homage to King George I's reign. The vibrant colors used by Thornhill bring life to every detail depicted on the canvas. As we admire this print captured by James Brittain, we can't help but appreciate how it encapsulates centuries of history within its frame. From Sir Christopher Wren's architectural marvels like St Paul's Cathedral dome to the Royal Hospital itself, every element tells a story that connects us to England's rich past.

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