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Mary of Buttermere, sketched from life in July 1800, published by Hannah Humphrey in 1802
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Mary of Buttermere, sketched from life in July 1800, published by Hannah Humphrey in 1802
NCO191277 Mary of Buttermere, sketched from life in July 1800, published by Hannah Humphrey in 1802 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: icon of the Lake District; ); English, out of copyright
Media ID 22932416
© Bridgeman Images
Customer Drinker Fashionable Dress Hanoverian Hostess Innkeeper Keys Refreshment Tavern
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EDITORS COMMENTS
This print showcases the iconic figure of Mary of Buttermere, sketched from life in July 1800 by the talented artist James Gillray. Published by Hannah Humphrey in 1802 as a hand-coloured etching, this artwork is a true gem that captures the essence of its time. Mary of Buttermere, known for her beauty and charm, takes center stage in this portrait. Dressed in fashionable attire, she exudes elegance and grace. The setting depicts an interior scene at a tavern where Mary serves beer to customers with utmost hospitality. The details within the image reveal intriguing elements such as keys hanging from her waist and smoke rising from a pipe held by one of the male patrons. These subtle touches add depth to the narrative and invite viewers to imagine themselves immersed in this Georgian era ambiance. Behind Mary's composed demeanor lies an unfortunate story - she was a victim of bigamy. This adds another layer of complexity to her character, making her more than just an innkeeper or hostess but also someone who has experienced hardship. Gillray's skillful sketching technique brings every line and contour to life while Humphrey's hand-colouring elevates it further with vibrant hues. Together they create an enchanting portrayal that stands as both historical documentation and artistic masterpiece. This print offers us a glimpse into history through art; it invites us to appreciate not only its aesthetic qualities but also ponder upon the stories hidden within its frames.
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