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The Jami Masjid, Delhi, 1864 (pencil, pen and grey ink, w / c, heightened touches of whi)

The Jami Masjid, Delhi, 1864 (pencil, pen and grey ink, w  /  c, heightened touches of whi)


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The Jami Masjid, Delhi, 1864 (pencil, pen and grey ink, w / c, heightened touches of whi)

1196705 The Jami Masjid, Delhi, 1864 (pencil, pen and grey ink, w/c, heightened touches of whi) by Simpson, William Crimea (1823-99); 36.2x51.8 cm; Private Collection; Photo eChristies Images; Scottish, out of copyright

Media ID 22530100

© Christie's Images / Bridgeman Images

1860s 1864 Architectural Feature Background People Bystander Courtyard Delhi Elevated Elevated View Grey Ink Grounds Gum Arabic In Ink Ink Drawing Islamic Art Mid 19th Century Mid Nineteenth Century Minaret Northern India Pencil Pencil Drawing Simpson Water Color Water Colour William Artist British British Artist Jami Masjid William Simpson


FEATURES IN THESE COLLECTIONS

> Architecture > Country > India

> Architecture > Drawings

> Architecture > Styles > Islamic Architecture

> Arts > Art Movements > Landscapes

> Arts > Artists > B > Henri Baron

> Arts > Artists > S > William 'Crimea' Simpson

> Arts > Artists > W > William Williams

> Arts > Fine Art

> Arts > Landscape paintings > Landscape art

> Arts > Landscape paintings

> Fine Art Finder > Artists > Henri Baron

> Fine Art Finder > Artists > William 'Crimea' Simpson


The Jami Masjid, Delhi, 1864

EDITORS COMMENTS
is a captivating print that transports viewers back to the enchanting landscapes of northern India in the mid-19th century. Created by British artist William Simpson, this artwork showcases his exceptional talent and keen eye for detail. The elevated view allows us to appreciate the grandeur of the Jami Masjid, an architectural masterpiece nestled amidst lush surroundings. The minaret stands tall against the backdrop of a clear blue sky, while delicate brushstrokes bring life to every architectural feature. Simpson's use of pencil, pen, grey ink, and watercolor creates a harmonious blend of colors that adds depth and vibrancy to the scene. As we explore this mesmerizing composition further, our attention is drawn to the human presence within the courtyard. Bystanders go about their day under warm sunlight as they become part of this historical moment frozen in time. Their inclusion not only provides scale but also evokes a sense of connection between past and present. Simpson's meticulous technique is evident in every stroke – from heightened touches of white that illuminate certain areas to gum arabic used for texture enhancement. This attention to detail enhances our appreciation for both Islamic artistry and European artistic influence during this period. "The Jami Masjid, Delhi, 1864" invites us on an immersive journey through time and space. It serves as a testament to Simpson's skillful craftsmanship while offering insight into India's rich cultural heritage during one of its most fascinating er

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