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Illuminated "N"from the 1518 Basel third edition of Utopia

Illuminated 'N'from the 1518 Basel third edition of Utopia


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Illuminated "N"from the 1518 Basel third edition of Utopia

5615733 Illuminated " N" from the 1518 Basel third edition of Utopia by Sir Thomas More (1478-1535) first published in 1516. Woodcut by Hans Holbein the Younger (c.1497-1543) by Holbein the Younger, Hans (1497/8-1543); Private Collection; (add.info.: Photograph of isolated illuminated letter from a 1518 third edition published in Basel.); Photo eAF Fotografie; German, out of copyright

Media ID 23269410

© AF Fotografie / Bridgeman Images

1518 Basel Best Seller Cherubim Classic Fictional Froben Hans Holbein The Younger Humanist Initial Johann Froben Johannes Froben More No Place Novel Philosophy Publishing Putti Sir Thomas More Third Edition Thomas More Utopia Utopian Utopie Woodcut Cherub Cherubs


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EDITORS COMMENTS
This print showcases an illuminated letter "N" from the 1518 Basel third edition of Sir Thomas More's renowned work, Utopia. Crafted by the talented woodcut artist Hans Holbein the Younger, this intricate piece of art transports us back to the Renaissance era. The ornate design features cherubs and putti surrounding the letter, adding a touch of whimsy and charm. The attention to detail is remarkable, with each figure delicately carved into the woodcut. This decorative element not only enhances the visual appeal but also reflects the satirical nature of More's novel. Utopia, first published in 1516, explores a fictional island where social and political ideals are realized. As a humanist philosopher, More used his writing to critique society and propose alternative ways of living. The illuminated "N" serves as an initial for this groundbreaking work that continues to captivate readers even today. This historic print offers us a glimpse into European publishing during the 16th century when books were meticulously crafted pieces of art. It reminds us of Johannes Froben's influential role as a publisher and highlights Basel as a hub for intellectual thought at that time. As we admire this exquisite woodcut engraving, we can't help but appreciate its significance as both a literary masterpiece and an artistic treasure from centuries past.

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