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1518 Collection

In the year 1518, a multitude of artistic and historical events unfolded, leaving an indelible mark on the cultural landscape

Background image1518 Collection: TINTORETTO, Jacopo Robusti, called Il (1518-1594)

TINTORETTO, Jacopo Robusti, called Il (1518-1594). The Last Supper. Renaissance art. Cinquecento. Venetian school

Background image1518 Collection: THE VIEW OF UTOPIA. Colored woodcut from Sir Thomas Mores Utopia, 1518

THE VIEW OF UTOPIA. Colored woodcut from Sir Thomas Mores Utopia, 1518
THE VIEW OF UTOPIA. Colored woodcut from Sir Thomas Mores " Utopia, " 1518

Background image1518 Collection: Eliz Ctess Shrewsbury

Eliz Ctess Shrewsbury
ELIZABETH, countess of SHREWSBURY, known as Bess of Hardwick : four times married, keeper of Mary queen of Scots, benefactress. with her autograph

Background image1518 Collection: British Coats of Arms

British Coats of Arms
Royal coats of arms of Britain Henry VIII 1518, 1535; Elizabeth I 1576, 1578; Charles I; William & Mary 1689 Anne 1713; George I 1725; George II 1749; George III 1785

Background image1518 Collection: Woodcut from 1518 third edition of Utopia by Sir Thomas More (1478-1535

Woodcut from 1518 third edition of Utopia by Sir Thomas More (1478-1535
5615729 Woodcut from 1518 third edition of Utopia by Sir Thomas More (1478-1535) published in Basel showing the author conversing with the protagonist Raphael Hythloday about the ideal society he

Background image1518 Collection: Luther and Cajetan

Luther and Cajetan
At Augsburg, he defends his theology before Cardinal Cajetan, but refuses to retract his views : he leaves Augsburg

Background image1518 Collection: The host miracle of Amsterdam, The Netherlands, Jacob Cornelisz van Oostsanen, 1518

The host miracle of Amsterdam, The Netherlands, Jacob Cornelisz van Oostsanen, 1518

Background image1518 Collection: Diego Velazquez de Cuellar (1465-1524)

Diego Velazquez de Cuellar (1465-1524) had the intention of ceasing Hernan Cortes. Cortes and his fleet left Cuba in haste for the coast of Mexico

Background image1518 Collection: The First Fire Engine, 1518 AD (engraving)

The First Fire Engine, 1518 AD (engraving)
2788243 The First Fire Engine, 1518 AD (engraving) by Moreland, Arthur (1876-1951); Private Collection; (add.info.: The First Fire Engine, 1518 AD)

Background image1518 Collection: Utopiensium Alphabetum (Utopian Alphabet) from the 1518 third edition of

Utopiensium Alphabetum (Utopian Alphabet) from the 1518 third edition of
5615730 Utopiensium Alphabetum (Utopian Alphabet) from the 1518 third edition of Utopia by Sir Thomas More (1478-1535) first published in 1516

Background image1518 Collection: Printers mark of Johann Frobens (c. 1460 -1527) showing two hands holding

Printers mark of Johann Frobens (c. 1460 -1527) showing two hands holding
5615734 Printers mark of Johann Frobens (c.1460 -1527) showing two hands holding the caduceus from the 1518 third edition of Utopia by Sir Thomas More (1478-1535) first published in 1516

Background image1518 Collection: Interior of a Kitchen of the Sixteenth Century (engraving)

Interior of a Kitchen of the Sixteenth Century (engraving)
668403 Interior of a Kitchen of the Sixteenth Century (engraving) by French School, (19th century); Private Collection; (add.info)

Background image1518 Collection: The Luther Celebration of Four Centuries in Germany, Places associated with the Life of Luther

The Luther Celebration of Four Centuries in Germany, Places associated with the Life of Luther (engraving)
1107427 The Luther Celebration of Four Centuries in Germany, Places associated with the Life of Luther (engraving) by English School

Background image1518 Collection: Title page from the 1518 Basel third edition of Utopia

Title page from the 1518 Basel third edition of Utopia
5615735 Title page from the 1518 Basel third edition of Utopia by Sir Thomas More (1478-1535) first published in 1516. Woodcut by Hans Holbein the Younger (c.1497-1543)

Background image1518 Collection: Illuminated 'N'from the 1518 Basel third edition of Utopia

Illuminated "N"from the 1518 Basel third edition of Utopia
5615733 Illuminated " N" from the 1518 Basel third edition of Utopia by Sir Thomas More (1478-1535) first published in 1516

Background image1518 Collection: Monumental Brass Rubbing, Thomas and Anne Broke

Monumental Brass Rubbing, Thomas and Anne Broke
Monumental Brass Rubbing, Thomas Broke and his wife Anne (nee Bulstrode), Ewelme, Oxfordshire. 1518

Background image1518 Collection: Holborn, Lincolns Inn, Gatehouse, West side of Chancery Lane, 1518, with later repairs (b / w photo)

Holborn, Lincolns Inn, Gatehouse, West side of Chancery Lane, 1518, with later repairs (b / w photo)
3634121 Holborn, Lincolns Inn, Gatehouse, West side of Chancery Lane, 1518, with later repairs (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Holborn)

Background image1518 Collection: Henry 8th and his Queen, Catherine of Aragon, received by Cardinal Wolsey at Oxford

Henry 8th and his Queen, Catherine of Aragon, received by Cardinal Wolsey at Oxford, 1518 (colour litho)
727275 Henry 8th and his Queen, Catherine of Aragon, received by Cardinal Wolsey at Oxford, 1518 (colour litho) by English School

Background image1518 Collection: Cardinal Wolsey receives Henry VIII at Oxford, 1518 (colour litho)

Cardinal Wolsey receives Henry VIII at Oxford, 1518 (colour litho)
727272 Cardinal Wolsey receives Henry VIII at Oxford, 1518 (colour litho) by English School, (20th century); Private Collection; (add.info.: Cardinal Wolsey receives Henry VIII at Oxford, 1518)

Background image1518 Collection: Illuminated 'V'from the 1518 Basel third edition of Utopia

Illuminated "V"from the 1518 Basel third edition of Utopia
5615732 Illuminated " V" from the 1518 Basel third edition of Utopia by Sir Thomas More (1478-1535) first published in 1516

Background image1518 Collection: Illuminated 'O'from the 1518 Basel third edition of Utopia

Illuminated "O"from the 1518 Basel third edition of Utopia
5615731 Illuminated " O" from the 1518 Basel third edition of Utopia by Sir Thomas More (1478-1535) first published in 1516

Background image1518 Collection: Map of the New Island of Utopia from a 1518 edition of Utopia

Map of the New Island of Utopia from a 1518 edition of Utopia
5615727 Map of the New Island of Utopia from a 1518 edition of Utopia by Sir Thomas More (1478-1535), first published in 1516. Woodcut by Ambrosius Holbein (c. 1494-c)

Background image1518 Collection: Interior of a Kitchen (engraving)

Interior of a Kitchen (engraving)
668431 Interior of a Kitchen (engraving) by French School, (19th century); Private Collection; (add.info.: Interior of a Kitchen.-Fac-simile from a Woodcut in the " Calendarium Romanum" of)

Background image1518 Collection: Martin Luther before Cardinal Cajetan, Augsburg, 1518 (engraving)

Martin Luther before Cardinal Cajetan, Augsburg, 1518 (engraving)
1049615 Martin Luther before Cardinal Cajetan, Augsburg, 1518 (engraving) by Lindenschmit, Wilhelm von, II (1829-95); Private Collection; (add.info.: Martin Luther before Cardinal Cajetan, Augsburg)

Background image1518 Collection: Specimen of Wood-Engraving, 1518, Triumphs of Maximilian (engraving)

Specimen of Wood-Engraving, 1518, Triumphs of Maximilian (engraving)
1101161 Specimen of Wood-Engraving, 1518, Triumphs of Maximilian (engraving) by English School, (19th century); Private Collection; (add.info.: Specimen of Wood-Engraving, 1518)

Background image1518 Collection: Triumphs of Maximilian I

Triumphs of Maximilian I. Date: 1518

Background image1518 Collection: MORES UTOPIA

MORES UTOPIA
The imaginary island of UTOPIA, as described by Sir Thomas More Date: 1518

Background image1518 Collection: DURER TRIUMPHAL CAR 1518

DURER TRIUMPHAL CAR 1518
THE GREAT TRIUMPHAL CAR Part of a larger image, designed as part of the Triumphal procession of the Emperor Maximilian. Date: 1518

Background image1518 Collection: Attributed Master 1518

Attributed Master 1518
Attributed to Master of 1518;

Background image1518 Collection: Portrait Joris Vezeleer Joris W Vezeler Vezelaer

Portrait Joris Vezeleer Joris W Vezeler Vezelaer
Portrait of Joris Vezeleer, Portrait of Joris W. Vezeler (Vezelaer) putting on a glove, historical persons, Joris Vezelaer, Joos van Cleve (copy after), after c

Background image1518 Collection: Valley Hinnom west Joshua 1518 1950 Jerusalem

Valley Hinnom west Joshua 1518 1950 Jerusalem
Valley of Hinnom from the west. Joshua 1518. 1950, Jerusalem, Israel

Background image1518 Collection: Aurora Taking Leave Tithonus Francesco Solimena

Aurora Taking Leave Tithonus Francesco Solimena
Aurora Taking Leave of Tithonus; Francesco Solimena (Italian (Neapolitan), 1657 - 1747); 1704; Oil on canvas; 201.9 x 151.8 cm (79 1, 2 x 59 3, 4 in.)

Background image1518 Collection: Saint Horseback Circle Giovanni Battista Cima

Saint Horseback Circle Giovanni Battista Cima
A Saint on Horseback; Circle of Giovanni Battista Cima da Conegliano (Italian (Venetian), about 1459, 1460 ? - 1517, 1518); Italy; about 1510; Red chalk over stylus underdrawing

Background image1518 Collection: Sacrifice Isaac Giulio Romano Giulio Pippi Italian

Sacrifice Isaac Giulio Romano Giulio Pippi Italian
The Sacrifice of Isaac; Giulio Romano (Giulio Pippi) (Italian, before 1499 - 1546); Italy; about 1516 - 1518; Red chalk; 28.3 x 19.1 cm (11 1, 8 x 7 1, 2 in.)

Background image1518 Collection: Studies Statuette Atlas Figure Praying Jacopo Tintoretto

Studies Statuette Atlas Figure Praying Jacopo Tintoretto
Studies of a Statuette of Atlas and a Figure Praying; Jacopo Tintoretto (Jacopo Robusti) (Italian, 1518, 1519 - 1594); Italy; 1549; Black chalk with white chalk highlights; 25.4 x 39.2 cm (10 x 15 7)

Background image1518 Collection: Study Saint Francis Pontormo Jacopo Carucci Italian

Study Saint Francis Pontormo Jacopo Carucci Italian
Study of Saint Francis; Pontormo (Jacopo Carucci) (Italian (Florentine), 1494 - 1557); about 1517 - 1518; Black chalk (recto); black chalk with some white chalk heightening (verso)

Background image1518 Collection: Portrait Man Hans Schwarz German 1492 1521 1518

Portrait Man Hans Schwarz German 1492 1521 1518
Portrait of a Man; Hans Schwarz (German, about 1492 - after 1521); about 1518; Black chalk; 23.8 x 18.7 cm (9 3, 8 x 7 3, 8 in.)

Background image1518 Collection: Virgin Crowned Two Angels 1518 Albrecht Dürer

Virgin Crowned Two Angels 1518 Albrecht Dürer
The Virgin Crowned by Two Angels, 1518. Albrecht Durer (German, 1471-1528). Engraving

Background image1518 Collection: Adam Eve 1518 Ludwig Krug German 1490-1532 Bronze

Adam Eve 1518 Ludwig Krug German 1490-1532 Bronze
Adam and Eve, 1518. Ludwig Krug (German, 1490-1532). Bronze; overall: 12.7 x 10.8 cm (5 x 4 1/4 in.)

Background image1518 Collection: Virgin Surrounded Angels 1518 Albrecht Dürer

Virgin Surrounded Angels 1518 Albrecht Dürer
The Virgin Surrounded by Many Angels, 1518. Albrecht Durer (German, 1471-1528). Woodcut

Background image1518 Collection: Portrait Woman 1518 Circle Andrea del Sarto Italian

Portrait Woman 1518 Circle Andrea del Sarto Italian
Portrait of a Woman, c. 1518. Circle of Andrea del Sarto (Italian, 1486-1530). Oil on wood; framed: 108 x 86.5 x 8 cm (42 1/2 x 34 1/16 x 3 1/8 in.); unframed: 82.5 x 62.2 cm (32 1/2 x 24 1/2 in.)

Background image1518 Collection: Combats Triumphs No 10 Etienne Delaune French

Combats Triumphs No 10 Etienne Delaune French
Combats and Triumphs No. 10. Etienne Delaune (French, 1518/19-c. 1583). Engraving

Background image1518 Collection: Combats Triumphs No 5 Triumph Bacchus Etienne Delaune

Combats Triumphs No 5 Triumph Bacchus Etienne Delaune
Combats and Triumphs No. 5: The Triumph of Bacchus. Etienne Delaune (French, 1518/19-c. 1583). Engraving

Background image1518 Collection: Combats Triumphs No 2 Triumphant March Etienne Delaune

Combats Triumphs No 2 Triumphant March Etienne Delaune
Combats and Triumphs No. 2: Triumphant March. Etienne Delaune (French, 1518/19-c. 1583). Engraving

Background image1518 Collection: Combats Triumphs No 11 Etienne Delaune French

Combats Triumphs No 11 Etienne Delaune French
Combats and Triumphs No. 11. Etienne Delaune (French, 1518/19-c. 1583). Engraving



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In the year 1518, a multitude of artistic and historical events unfolded, leaving an indelible mark on the cultural landscape. Renowned painter Tintoretto, born Jacopo Robusti in 1518, would later become one of the most influential figures in Venetian art during the Renaissance. Meanwhile, Sir Thomas More's groundbreaking work "Utopia" was published that same year. Its vivid depiction of an ideal society captivated readers with its colored woodcut illustrations showcasing The View of Utopia. This third edition also featured British Coats of Arms and Eliz Ctess Shrewsbury's contribution. The religious realm experienced significant developments as well. Martin Luther and Cajetan engaged in a pivotal debate that would shape the course of Christianity forever. In Amsterdam, Jacob Cornelisz van Oostsanen depicted The Host Miracle - a profound event that captured the imagination and devotion of believers. Diego Velazquez de Cuellar left his mark on history through his remarkable achievements as both a conquistador and explorer during this transformative period. His legacy continues to inspire generations to come. The theatrical arts flourished too; Titus Maccius Plautus' play "The Host, " performed in 1518, showcased vibrant colors that brought its narrative to life on stage. Similarly, Terence's engraving from ancient times was given new vibrancy through coloring techniques. Lastly, Raphael's masterpiece La belle jardiniere or Madonna and Child exemplified his exceptional talent as an artist during this era characterized by great creativity and innovation. All these diverse events from 1518 remind us how this particular year became a melting pot for artistic expression across various mediums – painting, literature, theater – each contributing their own unique brushstroke to humanity's collective canvas.