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One Hundred Proverbs: Pulling the Devil by the Tail Does Not Go Far Young or Old, 1845 (engraving)

One Hundred Proverbs: Pulling the Devil by the Tail Does Not Go Far Young or Old, 1845 (engraving)


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One Hundred Proverbs: Pulling the Devil by the Tail Does Not Go Far Young or Old, 1845 (engraving)

7211798 One Hundred Proverbs: Pulling the Devil by the Tail Does Not Go Far Young or Old, 1845 (engraving) by Grandville (Jean Ignace Isidore Gerard) (1803-47); (add.info.: One Hundred Proverbs, engraving by JJ Granville (or J.J. Grandville, pseudonym of Jean Ignace Isidore Gerard, 1803-1847), 1845 - Pulling the Devil by the Tail Goes Far Away Young or Old - for this popular French expression, see also GUT7772 - 100 proverbs, engraving by JJ Granville); © Patrice Cartier

Media ID 24691740

© Patrice Cartier / Bridgeman Images

Allegoric Allegories Alllegorical Figure Demon Demons Devil Devils Language Languages Line Lines Linguist Linguistic Morale Penury Poors Precarious Precariousness Queue Queues Satan Symbole Symbolical Representation Symbolised Symbolising Symbology Allegorical Avec Personnage Poeple Societies Symbolic Symbols


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EDITORS COMMENTS
This engraving titled "One Hundred Proverbs: Pulling the Devil by the Tail Does Not Go Far Young or Old, 1845" by Grandville (Jean Ignace Isidore Gerard) transports us to the intricate world of allegory and symbolism. Created in the 19th century, this piece explores various themes such as poverty, society, and morality. The central figure in this artwork is a devilish creature with a long tail being pulled by a line of people. The proverb depicted here suggests that attempting to manipulate or deceive evil forces will ultimately lead to disappointment and failure, regardless of one's age or experience. Grandville's meticulous attention to detail is evident in every aspect of this engraving. From the delicate lines forming each character to the carefully crafted expressions on their faces, it is clear that every element has been thoughtfully considered. The black and white composition adds an air of timelessness to the image while enhancing its symbolic nature. As we delve into this piece further, we are reminded of France's rich cultural heritage through references to French language and European symbols. Overall, "One Hundred Proverbs: Pulling the Devil by the Tail Does Not Go Far Young or Old" invites viewers into a world where moral lessons intertwine with artistic expression. It serves as a reminder that our actions have consequences and that wisdom can be found even within seemingly simple proverbs.

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