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Brother Gregorio Belo of Vicenza, 1547 (oil on canvas)

Brother Gregorio Belo of Vicenza, 1547 (oil on canvas)


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Brother Gregorio Belo of Vicenza, 1547 (oil on canvas)

3618027 Brother Gregorio Belo of Vicenza, 1547 (oil on canvas) by Lotto, Lorenzo (c.1480-1556); 87.3 x 71.1 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Fra Gregorio, a member of the order of the Hieronymites, or Poor Hermits of Saint Jerome. The friar is in the habit of the order and his gesture, beating his chest, alludes to Saint Jerome and he reads the Homilies of Saint Gregory the Great); Italian, out of copyright

Media ID 23626528

© Bridgeman Images

Brother Crucifixion Evangelical Friar Habit Hermit Italian Renaissance Order Hieronymites


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Renaissance Art

> Arts > Artists > L > Lorenzo Lotto

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Europe > Italy > Heritage Sites > City of Vicenza and the Palladian

> Europe > Italy > Paintings

> Europe > Italy > Veneto > Vicenza

> Fine Art Finder > Artists > Giovanni Battista (1696-1770) Tiepolo

> Fine Art Finder > Artists > Lorenzo Lotto

> Historic > Renaissance art > Italian Renaissance art

> Historic > Renaissance art > Portraits in renaissance art

> Historic > Renaissance art > Religious themes in renaissance art

> Historic > Renaissance art


EDITORS COMMENTS
This portrait, titled "Brother Gregorio Belo of Vicenza, 1547" is a stunning oil on canvas masterpiece by the renowned Italian artist Lorenzo Lotto. Displayed at the Metropolitan Museum of Art in New York, this artwork measures 87.3 x 71.1 cm and showcases Brother Gregorio, a member of the order of the Hieronymites or Poor Hermits of Saint Jerome. In this painting, Brother Gregorio is depicted wearing the distinctive habit of his order while reading the Homilies of Saint Gregory the Great. His intense gaze and hand beating against his chest allude to Saint Jerome's penitential practices and devotion to scripture. Lotto skillfully captures every detail in this portrait, from Brother Gregorio's well-groomed moustache and beard to his serene expression that reflects deep contemplation. The presence of a crucifixion scene in the background further emphasizes his commitment to Christianity. As an exemplary representation of Italian Renaissance artistry, this painting not only highlights religious themes but also showcases Lotto's mastery in capturing human emotions with precision and finesse. It serves as a testament to both Brother Gregorio's devoutness as an evangelical friar and Lotto's ability to immortalize individuals through portraiture during this transformative period in European history. With its rich symbolism and exquisite execution, "Brother Gregorio Belo" continues to captivate viewers with its timeless beauty and profound spiritual resonance.

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