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Henry VIII (1491-1547), after a painting in the Royal Gallery at Kensington (engraving)
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Henry VIII (1491-1547), after a painting in the Royal Gallery at Kensington (engraving)
STC188601 Henry VIII (1491-1547), after a painting in the Royal Gallery at Kensington (engraving) by Vertue, George (1684-1756); Private Collection; (add.info.: Act of Supremacy (1534) created a national church separate from Roman Catholic church of which Henry was sole supreme head; Queen Katherine of Aragon (whom he divorced) and his daughter Mary are seen exiting right; ); The Stapleton Collection; English, out of copyright
Media ID 22340280
© The Stapleton Collection / Bridgeman Images
Deference Ermine King Of England Subservient Rulers
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EDITORS COMMENTS
This print showcases a remarkable engraving of Henry VIII, the iconic ruler of England from 1509 to 1547. The image is based on a painting displayed in the Royal Gallery at Kensington, skillfully brought to life by the talented artist George Vertue. Henry VIII's imposing presence is evident as he kneels before his throne, exuding power and authority. His regal attire, adorned with ermine fur and an elegant hat, further emphasizes his status as King of England during the tumultuous 16th century. This portrait captures not only Henry's physical appearance but also his role in shaping English history. Notably depicted alongside him are two significant figures: Queen Katherine of Aragon and their daughter Mary. Their positioning suggests their departure from Henry's life due to his divorce from Katherine and subsequent marriage to Anne Boleyn. This act symbolizes Henry's pivotal decision to establish a national church separate from Roman Catholicism through the Act of Supremacy in 1534. The oval frame surrounding this engraving adds an air of reverence and deference towards the monarch, reflecting both contemporary attitudes towards royalty and our enduring fascination with this enigmatic historical figure. As part of The Stapleton Collection, this exquisite artwork serves as a testament to British heritage and offers us a glimpse into one of the most transformative periods in English history – where politics intertwined with religion, power struggles abounded, and royal portraits became powerful tools for asserting dominance.
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