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Natives blacksmiths from the Latuka tribe. South Sudan, 1867 (engraving)
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Natives blacksmiths from the Latuka tribe. South Sudan, 1867 (engraving)
6947890 Natives blacksmiths from the Latuka tribe. South Sudan, 1867 (engraving) by Neuville, Alphonse Marie de (1835-85); Private Collection; (add.info.: Natives blacksmiths from the Latuka tribe. South Sudan East Africa. Design by A. de Neuville in Tour du monde, first semester, 1867); Photo ©Jaime Abecasis
Media ID 33086732
© ©Jaime Abecasis / Bridgeman Images
2 People 2 Persons Africa African African Anthropolgy Anthropologist Anthropology Artisanal Blacksmith Craft Craft Industry Craftsmanship Craftsperson Craftswoman Cultural Cultural Costume Du Soudan Ethnographer Folk Dress Forge Foundry Handicrafts Multi Function Tool Nationa Costume Tool Toolkit Tools Traditional Clothes Traditional Clothing Traditional Costumes Two Persons Work Tools Afica Afric Craftsman Craftsmen Ethnography Inhabitant Poeple Sudan
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EDITORS COMMENTS
This engraving, titled "Natives blacksmiths from the Latuka tribe. South Sudan, 1867" offers a glimpse into the rich cultural heritage of the Latuka tribe in South Sudan during the late nineteenth century. The print showcases two skilled craftsmen from the tribe engrossed in their work at a forge. The image transports us to a time when craftsmanship and traditional skills were highly valued. The two individuals depicted here are seen meticulously working with their tools, showcasing their expertise as blacksmiths. Their focused expressions reveal their dedication to their craft. The engraving not only highlights the artistry of these craftsmen but also provides valuable insights into African ethnography and anthropology during this period. It serves as an important historical document that sheds light on traditional practices and customs within indigenous communities. The artist, Alphonse Marie de Neuville, masterfully captures the essence of these artisans' daily lives through his detailed engravings. His work was featured in Tour du monde magazine's first semester edition in 1867. This remarkable piece invites viewers to appreciate both the beauty of African craftsmanship and its significance within local cultures. It stands as a testament to human ingenuity and creativity across different societies throughout history.
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