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Cannibals savouring Human Remains, c. 1800-08 (oil on panel) (pair of 83503)

Cannibals savouring Human Remains, c. 1800-08 (oil on panel) (pair of 83503)


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Cannibals savouring Human Remains, c. 1800-08 (oil on panel) (pair of 83503)

XIR243022 Cannibals savouring Human Remains, c.1800-08 (oil on panel) (pair of 83503) by Goya y Lucientes, Francisco Jose de (1746-1828); 32.7x47.2 cm; Musee des Beaux-Arts et d Archeologie, Besancon, France; Spanish, out of copyright

Media ID 12756495

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Brandishing Cannibal Missionary Savage Victim


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EDITORS COMMENTS
This and thought-provoking print by Francisco Jose de Goya y Lucientes, titled "Cannibals savouring Human Remains" transports us to a dark and unsettling scene from the early 19th century. Painted with meticulous detail on an oil panel, this pair of prints depicts a chilling encounter between savage cannibals and their helpless victim. The composition is filled with tension as we witness the cannibals brandishing the severed head and hand of their prey. The artist's skillful use of light and shadow adds depth to the gruesome tableau, highlighting the raw emotions present in this macabre moment. Goya's work delves into themes of colonialism, cultural clashes, and human brutality. In this particular piece, he explores the clash between Spanish missionaries and indigenous American Indians - specifically Iroquois tribes who were known for their cannibalistic practices. Displayed at Musee des Beaux-Arts et d'Archeologie in Besancon, France, this artwork serves as a reminder of humanity's darkest tendencies throughout history. It challenges us to confront our own capacity for violence while also shedding light on historical events that have shaped our world today. As we gaze upon these haunting images captured by Goya's brushstrokes, we are compelled to reflect on our shared past and consider how far we have come as a society. This print serves as both a warning against unchecked power dynamics and an invitation to engage in conversations about cultural understanding and empathy.

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