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Turk Mounted on Chestnut Coloured Horse, c. 1810 (oil on canvas)
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Turk Mounted on Chestnut Coloured Horse, c. 1810 (oil on canvas)
1197554 Turk Mounted on Chestnut Coloured Horse, c. 1810 (oil on canvas) by Gericault, Theodore (1791-1824); 37.7x45.7 cm; Private Collection; Photo eChristies Images; French, out of copyright
Media ID 22530118
© Christie's Images / Bridgeman Images
1810 1810s Academi Academic Art Academic School Academic Style Alarmed Animal Behaviour Animal Equipment Armed Astray Attacked Balance Balanced Balancing Bending Brown Brown Colour Carle Vernet Chestnut Danger Dangerous Defence Defend Defending Defensive Desert Dusty Early 19th Century Early Nineteenth Century Eastern Equine Feet Foot Frightened Gericault Hind Leg Hooved Mammal Horse Rider Jean Louis Andre Theodore Gericault Leaning Leg Raised Legs Raised Lifting Lost Mameluk Mood Mounted Natural Light Negative Concept One Animal One Man Only Orientalism Orientalist Orientalist Art Outer Garment Protect Protecting Protection Protective Quick Reaction Rearing Robe Romantic Art Romantic Era Romanticism Saddle Scared Skill Sunny Survival Temperature Théodore Gericault Using Hands Young Man Young Men 19th Century European Art 19th Century Painting Artist French Feeling French Art French Artist Headwear Natural Space Portrait Style Portraiture Positive Concepts Quicker Turk
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EDITORS COMMENTS
This print showcases Theodore Gericault's masterpiece, "Turk Mounted on Chestnut Coloured Horse" painted around 1810. The artist, known for his exceptional talent in capturing the essence of his subjects, depicts a Frenchman dressed as a Turk astride a magnificent chestnut horse. The painting exudes an air of elegance and power as the rider confidently wields a sword while mounted on his steed. The outdoor setting adds to the charm of this nineteenth-century artwork, with natural light illuminating every detail. Gericault's portrait style allows us to closely examine the man's attire and expression, revealing both his strength and vulnerability. The oil painting beautifully balances elements from both academic art and orientalist influences prevalent during that era. It transports us back in time to witness this rural scene where one man stands against the backdrop of nature. As we delve into this piece, we are drawn to contemplate themes such as survival and protection. The brown hues evoke warmth while symbolizing earthly connection. We can almost feel the temperature rise under sunny skies as our eyes focus on every intricate brushstroke depicting each element - from the horse's hind leg leaning forward in motion to its headwear adorned with feathers. Gericault's work is not only a testament to European art during the Romantic era but also serves as a reminder of how fine art has always been able to transcend boundaries and capture moments frozen in time for generations to appreciate.
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