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Folio from a miniature Book of Hours, use of Rome, Bruges

Folio from a miniature Book of Hours, use of Rome, Bruges


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Folio from a miniature Book of Hours, use of Rome, Bruges

492867 Folio from a miniature Book of Hours, use of Rome, Bruges, 1530-35 (tempera on vellum) (see also 492863-81) by Bening, Simon (c.1483-1561); 5.9x4.2 cm; Private Collection; Photo eChristies Images; Flemish, out of copyright

Media ID 23012932

© Christie's Images / Bridgeman Images

Bare Breasts Book Of Hours Bruges Cave Crucifix Deer Devotion Exile Folio Grotto Hermit Latin Mary Magdalene Ointment Penitence Penitent Roots Spirituality Underground Wild Animals Wilderness Northern Renaissance


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> Arts > Art Movements > Renaissance Art

> Arts > Artists > B > Simon Bening

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> Arts > Landscape paintings > Landscape art > Landscape paintings

> Arts > Landscape paintings > Landscape art > Nature-inspired artwork

> Arts > Landscape paintings > Rural countryside paintings > Landscape paintings

> Arts > Landscape paintings > Rural countryside paintings > Nature art

> Arts > Realistic drawings > Nature art > Landscape paintings

> Europe > Italy > Lazio > Rome

> Fine Art Finder > Artists > F. Scott Fitzgerald

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> Fine Art Finder > Manuscripts: Religious

> Historic > Renaissance art


EDITORS COMMENTS
This print showcases a folio from a miniature Book of Hours, originating from Bruges in the early 16th century. Created by the talented Flemish artist Simon Bening, this exquisite piece measures just 5.9x4.2 cm and is now part of a private collection. The image depicts a scene of penitence and spirituality, featuring a saintly figure deep in prayer while holding an open book. The female protagonist is surrounded by lush landscapes, with rolling hills and trees stretching into the distance. A jar sits beside her, symbolizing devotion and offering. Intriguingly, Mary Magdalene appears to be present as well, adding an element of mystery to the composition. She stands near a grotto entrance leading underground, evoking notions of exile or wilderness. The attention to detail in this Northern Renaissance artwork is remarkable; every illustrated element contributes to its narrative significance. From the crucifix hanging on a tree branch to wild animals like deer and foxes roaming freely nearby – all are meticulously rendered. Bening's masterful use of tempera on vellum brings out vibrant colors that enhance the overall visual impact. This illuminated manuscript exemplifies his skill in capturing both natural beauty and spiritual themes within such limited space. With its rich symbolism and delicate execution, this miniature folio serves as an extraordinary testament to Bening's talent as well as an invaluable artifact from Bruges' artistic heritage during that period.

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