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J. Stuart Blackton on horseback during the filming of the Vitagraph Studios film "Battle Cry of Peace", 1915 (b / w photo)
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J. Stuart Blackton on horseback during the filming of the Vitagraph Studios film "Battle Cry of Peace", 1915 (b / w photo)
5669198 J. Stuart Blackton on horseback during the filming of the Vitagraph Studios film " Battle Cry of Peace", 1915 (b/w photo) by Bain, George Grantham - Bain News Service (1865-1944)
Media ID 25131110
© Bridgeman Images
Cinema Director Early Cinema Early Film Film Filming First Location Militaristic Motion Picture Motion Pictures Movie Movies Moving Image Moving Pictures Propaganda Shoot Wartime First World War 1914 1918 On Location Vitagraph
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This photograph captures J. Stuart Blackton on horseback during the filming of the iconic Vitagraph Studios film, "Battle Cry of Peace" in 1915. The image showcases the militaristic atmosphere on set as soldiers surround Blackton, creating a realistic wartime scene for the early cinema production. The director's commanding presence is evident as he orchestrates the shooting process amidst a backdrop that exudes tension and confrontation. This powerful snapshot transports us back to a time when motion pictures were still in their infancy, yet already being utilized as tools for propaganda during World War I. The significance of this photo lies not only in its historical context but also in its portrayal of early filmmaking techniques. It offers a glimpse into the challenges faced by filmmakers at that time, capturing their dedication to bringing moving images to life despite limited resources and technology. As we observe this moment frozen in time, we are reminded of the immense impact that movies have had on our society throughout history. From entertainment to education and even shaping public opinion, films like "Battle Cry of Peace" played an integral role in shaping cultural narratives during times of war. Bridgeman Images has preserved this remarkable photograph from Bain News Service with utmost care, allowing us to appreciate both its artistic value and its historical significance within the realm of early cinema and military storytelling.
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