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Ms L. A. 139-Lisboa fol. 26 Exterminans watching the horsemen trample the two witnesses
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Ms L. A. 139-Lisboa fol. 26 Exterminans watching the horsemen trample the two witnesses
XJL195847 Ms L.A. 139-Lisboa fol.26 Exterminans watching the horsemen trample the two witnesses, from the Gulbenkian Apocalypse, c.1265-70 (vellum) by English School, (13th century); 26.8x21.7 cm; Museu Calouste Gulbenkian, Lisbon, Portugal; English, out of copyright
Media ID 22340384
© Bridgeman Images
Apocalyptic Book Of Revelation Illuminated Manuscript Lances Presage Prophesy Prophets Revelations Slaying Witness
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EDITORS COMMENTS
This print captures a mesmerizing scene from the Gulbenkian Apocalypse, an illuminated manuscript dating back to the 13th century. Titled "Ms L. A. 139-Lisboa fol. 26 Exterminans watching the horsemen trample the two witnesses" this image transports us to a medieval world filled with apocalyptic visions and prophetic events. In this particular moment, we witness Exterminans, also known as the king of locusts, observing intently as horsemen mercilessly trample upon two witnesses. The atmosphere is charged with tension and foreboding as these figures fulfill their fateful destinies. The intricate details and vibrant colors of this vellum artwork come alive in this high-quality print measuring 26.8x21.7 cm. Preserved at Museu Calouste Gulbenkian in Lisbon, Portugal, it serves as a testament to the rich history of English medieval art. As we delve into this image's narrative layers, we are reminded of its significance within religious texts such as Revelations. It symbolizes moments of slaying and presage while shedding light on themes like prophecy and illumination. Bridgeman Images brings you closer to experiencing the profound emotions evoked by this masterpiece through their expert reproduction techniques. This awe-inspiring print invites you to explore a pivotal moment in history where ancient beliefs intertwine with artistic expression - an enthralling addition for any art enthusiast or historian seeking insight into our collective past
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