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Caricature of Sir Alfred Milner, British colonial Governor of the Cape Colony at the outbreak of the Second Boer War, 1899 (colour litho)
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Caricature of Sir Alfred Milner, British colonial Governor of the Cape Colony at the outbreak of the Second Boer War, 1899 (colour litho)
6029706 Caricature of Sir Alfred Milner, British colonial Governor of the Cape Colony at the outbreak of the Second Boer War, 1899 (colour litho) by English School, (19th century); Private Collection; (add.info.: Caricature of Sir Alfred Milner (1854-1925), British colonial Governor of the Cape Colony at the outbreak of the Second Boer War, 1899.); Look and Learn / Elgar Collection
Media ID 23575280
© Look and Learn / Elgar Collection / Bridgeman Images
Administrator Boer War British Empire Desk Inkwell Oom Paul Paul Kruger Scramble For Africa Sir Alfred Milner South African Republic Transvaal
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EDITORS COMMENTS
This vibrant and satirical lithograph captures the essence of Sir Alfred Milner, the British colonial Governor of the Cape Colony during the outbreak of the Second Boer War in 1899. Created by an anonymous English artist from the 19th century, this caricature offers a scathing satire on Milner's role as an administrator and politician. In this detailed illustration, we see Milner seated at his desk, surrounded by symbols of power and influence. A large map dominates the background, representing Britain's imperial ambitions and its scramble for Africa. The inkwell on his desk signifies his ability to shape policy through written communication. The artist cleverly exaggerates Milner's features with a touch of humor; his elongated nose and prominent chin add a comical element to this political portrait. This caricature not only mocks Milner but also serves as a commentary on British colonialism during that era. Milner's involvement in South African politics is evident through references to key figures such as Paul Kruger, President of Transvaal (also known as Oom Paul). Their strained relationship is hinted at through their contrasting portrayals within the cartoon. Overall, this print provides insight into both historical events and societal attitudes towards British imperialism in late 19th-century Europe. It stands as a testament to political satire's power to critique those in positions of authority while offering viewers an opportunity for reflection on past actions.
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