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Apsidal arch: Etymasia (preparation for the throne) with the instruments of passion, restored in 1979; Byzantine school mosaic with a golden background (mosaic)
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Apsidal arch: Etymasia (preparation for the throne) with the instruments of passion, restored in 1979; Byzantine school mosaic with a golden background (mosaic)
6166444 Apsidal arch: Etymasia (preparation for the throne) with the instruments of passion, restored in 1979; Byzantine school mosaic with a golden background (mosaic) by Byzantine, (12th-13th century); Duomo (Cattedrale di Santa Maria Nuova), Monreale, Sicily, Italy; (add.info.: The mosaics of the Cathedral were made between the twelfth and mid-thirteenth century by partly local and partly Venetian workers, trained at the Byzantine school.The etymasia (?taas?a, in Greek " preparation" ) is an iconographic theme that is characterised by the representation of an empty throne with the insignia of Christ. The sense of the theme is that Christ will occupy the throne on his return to earth for universal judgment.The etymasia of the Cathedral of Monreale represents a medallion, with the two-armed cross, the spear and the cane, the throne placed in front of the cross on which the blue mantle of Christ is laid (the human garment), on the throne it rests the Holy Spirit (the dove), at the foot of the throne a jar in which the four nails of his Crucifixion are contained.
Duomo di Monreale, sottarco absidale: l Etimasia (preparazione al trono) con gli strumenti della passione, restaurato nel 1979; mosaico di scuola bizantina a fondo oro. I mosaici del Duomo vennero eseguiti tra il XII e la meta del XIII secolo da maestranze in parte locali e in parte veneziane, formatesi alla scuola bizantina.L etimasia (?taas?a, in greco " preparazione" ) e un tema iconografico che prevede la rappresentazione di un trono vuoto con le insegne di Cristo. Il senso del tema e che Cristo occupera il trono al suo ritorno sulla terra per il giudizio universale.L etimasia del Duomo di Monreale e data da un medaglione, con la croce a due braccia, la lancia e la canna, il trono posto innanzi alla croce sul quale e steso il mantello blu di Cristo (la vesta umana), sul trono poggia lo Spirito Santo (la colomba), ai piedi del trono un vasetto nel quale sono contenuti i quattro chiodi della sua Crocifissione); Ghigo Roli
Media ID 25144204
© Ghigo Roli / Bridgeman Images
12 12th Xii Xiith Century 12 Century 12th Century 13 13th Xiii Xiiith Century 13 Century 13th Century Abside Apse Arte Arte Bizantina Arte Medioevale Byzantine Art C12th C13th Cattedrale Colomba Cristianesimo Cristo Croce Crocifissione Crucifixion Dove Fondo Oro Gesu Golden Background Holy Spirit Il Duecento Medieval Art Monreale Mosaic Mosaico Palermo Passion Religione Sicilia Sicily Simbolo The 13th Century Thirteenth Century Trono Twelfth Century Xii Century Xii Secolo Xiii Century Xiii Secolo Xiiith Century Xiith Century 12 12th 12th Xii 12th 13th Century
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This print showcases the awe-inspiring Apsidal arch: Etymasia with the instruments of passion, restored in 1979. Created by Byzantine artists during the 12th-13th century, this masterpiece can be found in the Duomo (Cattedrale di Santa Maria Nuova) in Monreale, Sicily. The etymasia is a profound iconographic theme that symbolizes Christ's imminent return to Earth for universal judgment. In this particular representation, an empty throne adorned with Christ's insignia takes center stage. Resting on the throne is a blue mantle representing his human garment while above it hovers the Holy Spirit depicted as a dove. Surrounding the throne are significant elements such as a two-armed cross, spear, and cane - all instruments associated with Christ's passion and crucifixion. At its base lies a small jar containing the four nails used during his Crucifixion. The golden background of this Byzantine school mosaic adds an ethereal glow to the entire composition, enhancing its spiritual significance. The mosaics within Monreale Cathedral were meticulously crafted by both local and Venetian artisans trained at the renowned Byzantine school. This remarkable print captures not only intricate details but also centuries-old craftsmanship that continues to inspire awe and reverence today. It serves as a testament to humanity's enduring fascination with religious art and our collective desire to connect with something greater than ourselves.
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