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Lysistrata and his allies defending the access of the acropolis to men by farts, 1896 (litho)
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Lysistrata and his allies defending the access of the acropolis to men by farts, 1896 (litho)
AIS5356057 Lysistrata and his allies defending the access of the acropolis to men by farts, 1896 (litho) by Beardsley, Aubrey (1872-98); 32x25 cm; (add.info.: Lysistrata and his allies defending the access of the acropolis to men by farts. Women, to end the war, refuse to their husbands. Lithograph illustrating Aristophane's comedy "Lysistrata" by Aubrey Vincent Beardsley (1872-1898) 1896 Dim. 32 x 25 cm); © Iberfoto
Media ID 31719922
© Iberfoto / Bridgeman Images
Allegoric Ancient Greeks Athenians Athens Aubrey Beardsley Beardsley Aubrey 1872 98 Belittling Bodysuit Break Derides Derision Dominated Dominating Domination Fantasy Character Fictional Characters Flatulence Foolery Hosiers Hosiery Lingerie Make Fun Of Mockery Naked Woman Power Scatology Scoff Secession Jugendstyl Separation Sexuality Stocking With Garter Stockings Strength Symbole Symbolical Representation Symbology Undergarments Underwear Allegorical Antique Greece Art Style Egnland Fictional Character Greece Greek Greeks Semi Nude Symbolic Symbols Uk United Kingdom
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EDITORS COMMENTS
The lithograph print titled "Lysistrata and his allies defending the access of the acropolis to men by farts" is a striking piece of art created by Aubrey Vincent Beardsley in 1896. The artwork depicts a scene from Aristophanes' comedy play "Lysistrata" where women, led by Lysistrata, refuse their husbands to end the war. In this satirical illustration, Beardsley captures the absurdity and humor of the situation. Women are shown using flatulence as a means to defend the access of the acropolis against men. The artist's attention to detail is evident in his portrayal of clothing, stockings, and underwear worn by both genders. This black and white lithograph reflects Beardsley's unique style influenced by Art Nouveau movement prevalent during that time period. Through this artwork, he explores themes such as derision, domination, power dynamics between genders, and sexuality. Beardsley's use of allegory adds depth to this composition. The separation between men and women symbolizes societal divisions while also mocking traditional gender roles. The nudity depicted represents vulnerability but also serves as a form of protest against societal norms. Overall, this print showcases Beardsley's artistic prowess in capturing complex themes with wit and satire. It remains an important piece within 19th-century art history for its boldness in addressing social issues through visual storytelling.
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