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Three Georgian quack doctors discussing a medical case. 1831 (engraving)
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Three Georgian quack doctors discussing a medical case. 1831 (engraving)
7234781 Three Georgian quack doctors discussing a medical case.1831 (engraving) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info.: Three Georgian quack doctors in wigs and frock coats discussing a medical case in a library. The Doctors Puzzled. Handcoloured wood engraving after an illustration by Thomas Rowlandson from W. H. Harrisons The Humourist, a Companion for the Christmas Fireside, Rudolph Ackermann, 19 Strand, London, 1831.); © Florilegius
Media ID 25192182
© Florilegius / Bridgeman Images
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EDITORS COMMENTS
This engraving, titled "Three Georgian quack doctors discussing a medical case" takes us back to the early 19th century in England. The image depicts three charlatan doctors, adorned in wigs and frock coats, engrossed in a conversation about a perplexing medical dilemma within the confines of a library. The scene exudes an air of satire and ridicule as these self-proclaimed healers engage in what appears to be an animated discussion. Their exaggerated gestures and expressions add to the grotesque nature of their characters, highlighting the absurdity of their claims. Created by Thomas Rowlandson and handcolored for W. H. Harrison's publication "The Humourist" this engraving offers a glimpse into the social customs and everyday life of Georgian society. It reflects both the fascination with medicine during that era and the prevalence of quackery among certain segments of the population. Through this artwork, we are reminded not only of the historical context but also how societal attitudes towards health and medicine have evolved over time. It serves as a reminder that even though progress has been made in healthcare practices since then, there will always be individuals seeking unconventional remedies or exploiting people's vulnerabilities for personal gain. As we observe this intriguing print from Fine Art Finder's collection, it invites us to reflect on our own understanding of medicine while appreciating its artistic value as an insightful portrayal of 19th-century England.
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