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Fredegonde (vers 545-597), reine de Neustrie, visite l eveque Pretextat de Rouen (mort en 586) sur son lit de mort (Fredegund visits Bishop Praetextatus on his deathbed) - Peinture de Sir Lawrence Alma-Tadema (Alma Tadema) (1836-1912)
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Fredegonde (vers 545-597), reine de Neustrie, visite l eveque Pretextat de Rouen (mort en 586) sur son lit de mort (Fredegund visits Bishop Praetextatus on his deathbed) - Peinture de Sir Lawrence Alma-Tadema (Alma Tadema) (1836-1912)
FIA5390043 Fredegonde (vers 545-597), reine de Neustrie, visite l eveque Pretextat de Rouen (mort en 586) sur son lit de mort (Fredegund visits Bishop Praetextatus on his deathbed) - Peinture de Sir Lawrence Alma-Tadema (Alma Tadema) (1836-1912), huile sur bois, 1864 - State A Pushkin Museum of Fine Arts, Moscow (Russie) by Alma-Tadema, Lawrence (1836-1912); Pushkin Museum, Moscow, Russia; Photo © Fine Art Images
Media ID 24711116
© Fine Art Images / Bridgeman Images
6 6th Vi Vith Century Bedroom Betrayal Bishop Fredegonde Great Bed Orders Visiting Beds Furnish Home Furnishing Medieval Period Piece Of Furniture Upholstered Goods
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EDITORS COMMENTS
The painting "Fredegund visits Bishop Praetextatus on his deathbed" by Sir Lawrence Alma-Tadema captures a poignant moment in history. The scene depicts Queen Fredegonde of Neustria visiting the dying Bishop Pretextat of Rouen, who passed away in 586. Painted in 1864, this oil on wood masterpiece showcases Alma-Tadema's exceptional talent for capturing emotions and historical accuracy. The colors are vibrant yet somber, reflecting the solemnity of the occasion. The composition centers around the bishop's bed, adorned with luxurious furnishings that symbolize power and authority. Intriguingly, this artwork delves into a captivating story from medieval times. It explores themes of betrayal and loyalty as Queen Fredegonde pays her respects to an influential figure she may have had conflicting relationships with during their lifetimes. The setting is intimate—a bedroom where life meets death—creating a sense of vulnerability and reflection. As we gaze upon this painting, we witness not only a historical event but also contemplate our own mortality. Alma-Tadema masterfully portrays the emotional connection between these two individuals through subtle gestures and expressions. We can almost feel the weight of their shared history hanging in the air as they exchange final words. This artwork serves as a testament to Alma-Tadema's ability to transport us back in time while reminding us of our universal human experiences: love, loss, and ultimately facing our own mortality.
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