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French stereoscopic editions, positives on glass from circa 1920 for viewing thought a stereoscope. Fontaine Pradier. The Pradier fountain is a monumental marble fountain inaugurated on the esplanade of NAmes, on June 1, 1851. Its creators are the architect Charles Questel and the sculptor James Pradier

French stereoscopic editions, positives on glass from circa 1920 for viewing thought a stereoscope. Fontaine Pradier. The Pradier fountain is a monumental marble fountain inaugurated on the esplanade of NAmes, on June 1, 1851. Its creators are the architect Charles Questel and the sculptor James Pradier


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French stereoscopic editions, positives on glass from circa 1920 for viewing thought a stereoscope. Fontaine Pradier. The Pradier fountain is a monumental marble fountain inaugurated on the esplanade of NAmes, on June 1, 1851. Its creators are the architect Charles Questel and the sculptor James Pradier

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Media ID 24897922

© Design Pics / John Short

1920 Architect Charles Circa Esplanade Fountain Glass James Marble Monument Monumental Nimes Positif Positive Sculptor Stereoscope 1851 Fontaine Pradier


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> Arts > Artists > C > James Charles

> Arts > Artists > J > John June

> Design Pics > John Short Photography

> Europe > France > Nimes

> Historic > Monuments and landmarks > Monuments and memorials


EDITORS COMMENTS
This print showcases the French stereoscopic editions, positives on glass from circa 1920 for viewing through a stereoscope. The intricate details and craftsmanship of these historical artifacts are truly remarkable. In the foreground, we see Fontaine Pradier, a monumental marble fountain that was inaugurated on the esplanade of Nimes on June 1, 1851. This architectural masterpiece was brought to life by the talented duo of architect Charles Questel and sculptor James Pradier. The Pradier fountain stands as a symbol of grandeur and elegance in its surroundings. Its exquisite design and meticulous execution make it an iconic landmark in Nimes' rich history. As we delve into this photograph's depth using a stereoscope, we can almost transport ourselves back to the early 20th century when these glass positives were created. It is fascinating to imagine how people during that time would have marveled at these images through their own stereoscopes, immersing themselves in a three-dimensional visual experience. John Short's skillful capture allows us to appreciate both the artistic value of these French stereoscopic editions and the timeless beauty of Fontaine Pradier. It serves as a reminder of our connection with history and our ability to preserve it through photography.

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