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Canvas Print : The king of the Ashanti people welcomes an English mission
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The king of the Ashanti people welcomes an English mission
The King of the Ashanti (Ghana) welcomes an English mission led by Thomas Bowdich, 1817. Drummers and dancers with torches perform in front of nobles under parasols and flags. Handcoloured copperplate engraving by Antonio Sasso from Giulio Ferrarios Ancient and Modern Costumes of all the Peoples of the World, Florence, Italy, 1843
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Media ID 23171746
© Florilegius/Mary Evans
Ashanti Dancers Drummers Ferrario Ghana Giulio Hospitality Mission Parasols Peoples Procession Sasso Torch
30"x20" (76x51cm) Canvas Print
Step into the rich history of the Ashanti people with our stunning Canvas Print of "The King of the Ashanti (Ghana) Welcomes an English Mission," an iconic image from Mary Evans Prints Online. This captivating piece showcases the grandeur and warmth of the Ashanti monarch's welcome to English missionaries led by Thomas Bowdich in 1817. Drummers and dancers perform with torches, while nobles gather under parasols and flags, creating a vibrant and unforgettable scene. Our high-quality Canvas Prints bring the depth and texture of this historic moment into your home or office, making it a cherished conversation starter and a beautiful addition to any space.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 76.2cm x 50.8cm (30" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This image depicts a significant moment in the history of Ghana, as the King of the Ashanti people extends a warm welcome to an English mission led by Thomas Bowdich in 1817. The King, dressed regally in gold and adorned with beads and other traditional accoutrements, sits majestically on a throne, surrounded by his nobles who offer him the respect and deference due to their monarch. The air is filled with anticipation and excitement as drummers and dancers, their bodies bathed in the flickering light of torches, perform a lively procession. The scene is further enhanced by the presence of parasols and flags, symbols of the Ashanti people's rich cultural heritage and their commitment to hospitality. Thomas Bowdich, an English explorer and ethnographer, was the first European to document the Ashanti people in detail. He spent several months living among them, learning their customs, language, and way of life. This encounter marked the beginning of a complex and often tumultuous relationship between the Ashanti and the British, which would shape the political landscape of Ghana for decades to come. The intricately hand-coloured copperplate engraving, created by the renowned Italian artist Antonio Sasso for Giulio Ferrario's "Ancient and Modern Costumes of all the Peoples of the World," offers a vivid and detailed portrayal of this historic moment. The image not only captures the essence of the Ashanti people's vibrant culture but also serves as a testament to the enduring power of hospitality and the ability of human connection to bridge cultural divides.
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