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Canvas Print : Roman architectural ornament and sculpture, (1898). Creator: P Burkhardt

Roman architectural ornament and sculpture, (1898). Creator: P Burkhardt



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Roman architectural ornament and sculpture, (1898). Creator: P Burkhardt

Roman architectural ornament and sculpture, (1898). Fig 1: Corinthian capital from the Pantheon at Rome. Fig 2: Head of a candelabrum from the Vatican Museum. Fig 3: Composite capital from a temple of Juno at Rome. Fig 4: Fragment of a frieze, found in the Villa of Hadrian at Tivoli, now in the Lateran Museum at Rome. Figs 5 and 7: Rosettes from the Vatican Museum. Fig 6: Fragment of a frieze from Rome. Figs 8 and 11: Bases of columns from the later Roman period. Figs 9 and 10: Members of cornices from the ruins of the Imperial palaces on the Palatine...In Roman ornament the different forms of leaves often are idealised in such a rigid manner, that their natural origin is hardly to be recognized. Most frequently employed was the acanthus-leaf...Besides this we find oak-leaves, laurel, pine apples, vine-leaves, palm, ivy, aloe, convolvulus, cornear, poppy etc. Plate 7 from " The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]

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Media ID 19778006

© The Print Collector/Heritage Images

Amorini B T Batsford Bamp W Batsford Bt Batsford Candelabra Candelabrum Capital Corinthian Dolmetsch E Hochdanz Foliage H Dolmetsch Heinrich Heinrich Dolmetsch Historic Styles Of Ornament Hochd Hochdanz Palatine Hill Pantheon Sepia Stylised Ancient Roman Angelic Cherubs Putti Temple Of Juno


30"x20" (76x51cm) Canvas Print

Step back in time with our exquisite range of Canvas Prints featuring the timeless beauty of Roman architectural ornament and sculpture. These captivating prints, sourced from Heritage Images, showcase intricate details of Corinthian capitals from the iconic Pantheon in Rome (Fig 1) and a mesmerizing head of a candelabrum from the Vatican Museum (Fig 2). Immerse yourself in the rich history and artistry of ancient Rome, as these stunning prints bring the elegance and grandeur of Roman architecture directly to your home or office.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 50.8cm x 76.2cm (20" x 30")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Architecture > Country > Germany

> Architecture > Country > Italy > Related Images

> Architecture > Country > Italy > Rome

> Architecture > Palaces

> Architecture > Religious

> Architecture > Styles > Roman Architecture

> Architecture > Temples

> Arts > Artists > R > Roman Roman

> Arts > Literature

> Arts > Sculpture


EDITORS COMMENTS
This print showcases a collection of Roman architectural ornament and sculpture, captured in 1898 by P. Burkhardt. The image features various intricate details that highlight the grandeur and artistry of ancient Roman design. Figures 1 to 4 exhibit exquisite examples of Roman craftsmanship, including a Corinthian capital from the Pantheon at Rome, a candelabrum head from the Vatican Museum, a composite capital from a temple of Juno at Rome, and a fragment of a frieze discovered in the Villa of Hadrian at Tivoli. Figs 5 to 7 present delicate rosettes sourced from the Vatican Museum, while Fig 6 offers an intriguing glimpse into another fragmentary frieze found in Rome. Figs 8 and 11 showcase bases of columns dating back to the later Roman period, while Figs 9 and 10 display members of cornices salvaged from the ruins of Imperial palaces on Palatine Hill. The diversity within this assortment is striking; each piece exhibits meticulous attention to detail. Notably, many leaves are depicted with such precision that their natural origins become nearly unrecognizable. Acanthus leaves dominate as one of the most frequently employed motifs in Roman ornamentation; however, oak-leaves, laurel branches, pineapples, vine-leaves palm fronds ivy tendrils can also be observed. This remarkable plate originates from "The Historic Styles of Ornament" translated by H. Dolmetsch from German into English in London during B. T Batford's publishing era in 1898. It serves as both an educational resource for enthusiasts and scholars alike who seek insight into ancient Roman architecture's rich aesthetic legacy

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