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Canvas Print : A Masquerade Scene at the Pantheon, 1773. Artist: Charles White
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A Masquerade Scene at the Pantheon, 1773. Artist: Charles White
A Masquerade Scene at the Pantheon, 1773. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)
Heritage Images features heritage image collections
Media ID 14916957
© The Print Collector / Heritage-Images
Audience Commedia Dellarte Dome Emily Morse Emily Morse Symonds George Paston Harlequin Mask Masquerade Mr Punch Pantheon Paston Pulcinella Punch Punchinello Symonds
30"x20" (76x51cm) Canvas Print
Bring the elegance and mystery of the 18th century masquerade ball into your home with our exquisite Canvas Print of "A Masquerade Scene at the Pantheon, 1773" by Charles White. This beautiful work of art, originally published in Social Caricature in the Eighteenth Century, captures the allure and intrigue of the masquerade, with intricately detailed costumes and expressive masks. Our high-quality canvas prints are carefully crafted to bring out the rich colors and textures of this iconic image, making it a stunning addition to any room. Order now and let the magic of the masquerade live on in your home.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 76.2cm x 50.8cm (30" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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A Masquerade Scene at the Pantheon, 1773
EDITORS COMMENTS
is a captivating print that transports us back to the vibrant world of eighteenth-century Britain. The artist, Charles White, skillfully captures the essence of this lively social gathering with meticulous attention to detail. The scene unfolds within the grand architecture of the Pantheon, its majestic dome towering above an audience adorned in elaborate costumes. Men and women alike don masks and extravagant attire, immersing themselves in a night of revelry and mystery. Harlequin, Pulcinella, and Punchinello take center stage, their colorful characters adding an air of whimsy to the spectacle. Amidst the pillars and columns that frame this theatrical setting, we catch glimpses of laughter and animated conversations. The energy is palpable as people from all walks of life come together for a night filled with entertainment and intrigue. In this monochrome composition by George Paston (pseudonym for Emily Morse Symonds), every line tells a story - from the elegant dresses worn by women to the confident stance of men exuding charm. Even a mischievous dog finds itself drawn into this enchanting atmosphere. As we gaze upon "A Masquerade Scene at the Pantheon" we are transported back in time to witness not only an extraordinary event but also a snapshot of British society during the eighteenth century. It serves as a reminder that throughout history, people have sought moments like these – where they can shed their everyday identities
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