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Canvas Print : John Wilkes, English politician, 1762-1763 (1895)

John Wilkes, English politician, 1762-1763 (1895)



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John Wilkes, English politician, 1762-1763 (1895)

John Wilkes, English politician, 1762-1763 (1895). Study for a cartoon Hogarth produced in 1763. Wilkes is wearing a wig that Hogarth has fashioned into two horns. He holds a cap (entitled liberty in the final cartoon) that Hogarth has positioned to make it look like a halo. On the table are copies of his newspaper The North Briton. In 1762 Hogarth had published a satire, The Times, that, for Hogarth, was unusually anti-war. It angered many politicians, including John Wilkes. Therefore Wilkes attacked Hogarth in The North Briton, by depicting him as an old fool. In response Hogarth produced this engraving. A print from The Magazine of Art, Cassell and Company, Limited, London, Paris and Melbourne, 1895

Heritage Images features heritage image collections

Media ID 14947153

© Print Collector / Heritage-Images

Cross Eyed Expression Hogarth John Wilkes Liberty Print Collector9 Seven Years War 1756 1763 W Hogarth Wilkes William Hogarth The North Briton


30"x20" (76x51cm) Canvas Print

Bring historical intrigue into your home with Media Storehouse's Canvas Prints. This captivating piece, titled "John Wilkes, English Politician, 1762-1763 (1895)" by Unknown, featuring a study for a Hogarth cartoon, showcases the iconic image of John Wilkes with his wig fashioned into two horns. This vintage artwork, created in 1763, offers a fascinating glimpse into English political history. Add a touch of timeless charm to your decor with this beautifully printed and expertly crafted Canvas Print.

Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.

Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang

Estimated Product Size is 50.8cm x 76.2cm (20" x 30")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > H > William Hogarth

> Arts > Artists > W > John White

> Arts > Artists > W > William White

> Arts > Artists > William Hogarth

> Arts > Literature > Magazines

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Realistic drawings > Portrait drawings > Fine art


EDITORS COMMENTS
This print captures a momentous clash between two influential figures of 18th-century England. Depicting John Wilkes, the renowned English politician of 1762-1763, and William Hogarth, the esteemed artist and satirist, this study for a cartoon by Hogarth in 1763 showcases their bitter rivalry. In this intriguing image, Wilkes is portrayed wearing an elaborate wig cleverly fashioned into two horns by Hogarth. Holding a cap titled "liberty" strategically positioned to resemble a halo above his head, Wilkes exudes an air of defiance and rebellion. The table before him proudly displays copies of his newspaper, The North Briton, symbolizing his commitment to free expression and political dissent. The genesis of this engraving lies in the contentious relationship between these two men. In response to Hogarth's anti-war satire titled The Times published in 1762, which drew ire from politicians including Wilkes himself, he retaliated by caricaturing Hogarth as an old fool within the pages of The North Briton. Hogarth's artistic retaliation came in the form of this powerful portrait that brilliantly exposes both men's personalities through visual symbolism. This monochrome depiction not only highlights their contrasting ideologies but also serves as a testament to their enduring impact on British politics and society during the tumultuous era marked by war and political unrest. Preserved with great care since its creation in 1895 as part of The Magazine of Art collection by Cassell & Company Limited London Paris Melbourne; this remarkable print continues to captivate viewers with its historical significance and artistic brilliance.

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