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Canvas Print : Irritable: The Wife of a Fireman in the Kaei Period (1848-1853), 1888. Creator: Tsukioka Yoshitoshi
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Irritable: The Wife of a Fireman in the Kaei Period (1848-1853), 1888. Creator: Tsukioka Yoshitoshi
Irritable: The Wife of a Fireman in the Kaei Period (1848-1853), 1888. From Thirty-two Aspects of Customs and Manners
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Media ID 36360222
© Heritage Art/Heritage Images
1880s Bad Mood Bad Temper Check Checked Chequered Domestic Domestic Life Household Irritation Japanese Era Meiji Era Meiji Period Taiso Tsukioka Yoshitoshi Unhappy Wives Yoshitoshi Tsukioka Colour Woodblock Print Irritated Metaphor
30"x20" (76x51cm) Canvas Print
Bring the rich history and culture of Japan's Edo period into your home with our exquisite Canvas Print of 'Irritable: The Wife of a Fireman in the Kaei Period (1848-1853)', created by the renowned artist Tsukioka Yoshitoshi in 1888. This captivating print is part of his renowned series 'Thirty-two Aspects of Customs and Manners'. Witness the intricate details and vibrant colors that bring this historic moment to life, as the wife of a fireman expresses her frustration and worry. Elevate your interior design with this stunning and authentic work of art.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 50.8cm x 76.2cm (20" x 30")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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Irritable - The Wife of a Fireman in the Kaei Period (1848-1853),
EDITORS COMMENTS
a captivating woodblock print by the renowned Japanese artist Tsukioka Yoshitoshi, showcases the intricacies of domestic life during the Kaei Era (1848-1853) in Japan. This print is part of Yoshitoshi's esteemed series, "Thirty-Two Aspects of Customs and Manners." The image portrays a solitary woman, dressed in a traditional kimono, sitting indoors with a checked, chequered, or plaid fabric spread out before her. Her expression is one of irritation and bad temper, her eyes cast away, and her body language conveying a sense of frustration. The title "Irritable" suggests that this woman's husband is a fireman, adding an element of danger and unpredictability to her domestic life. The use of color in this woodblock print is masterful, with the muted tones of the interior contrasting sharply with the vibrant reds and oranges of the woman's kimono. The print's meticulous attention to detail, from the intricate patterns on the woman's kimono to the textured woodgrain of the tatami mat flooring, showcases the artist's exceptional skill in the ukiyo-e tradition. This print offers a glimpse into the lives of ordinary people during a specific historical period in Japan, providing valuable insights into the customs and manners of the time. The woman's bad mood and the potential danger of her husband's occupation serve as metaphors for the challenges and uncertainties that were a part of daily life in Japan during the late 19th century. This woodblock print is a testament to the rich artistic heritage of Japan and the enduring appeal of traditional clothing and customs. It is a must-see for anyone interested in Japanese art, history, or culture." [Note: This caption is intended for educational and informational purposes only and should not be used for commercial purposes without proper attribution and permission from the copyright holder, in this case, Heritage Images.]
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