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Canvas Print : Ecce Homo, 1650-59 (oil on panel)
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Ecce Homo, 1650-59 (oil on panel)
5042968 Ecce Homo, 1650-59 (oil on panel) by Giordano, Luca (1634-1705); 45.1x69.7 cm; Walters Art Museum, Baltimore, USA
Media ID 25494022
© Bridgeman Images
Accessories Balconies Balcony Brutal Captive Capture Captured Condemnation Condemning Contemporary Dress Crucifix Drapery Expressions Humiliation Jerusalem Life Of Christ Mocking Passion Pontius Pilate Headwear Jews Punishment
30"x20" (76x51cm) Canvas Print
Bring the haunting beauty of old master art into your home with Media Storehouse's Canvas Prints. This exquisite piece features Ecce Homo, a moving work by Luca Giordano, originally painted in oil on panel around 1650-59. The intricate details and vibrant colors of this masterpiece from Bridgeman Images come alive on our high-quality canvas, creating a stunning and timeless addition to any decor. Experience the power of art with Media Storehouse Canvas Prints.
Delivered stretched and ready to hang our premium quality canvas prints are made from a polyester/cotton blend canvas and stretched over a 1.25" (32mm) kiln dried knot free wood stretcher bar. Packaged in a plastic bag and secured to a cardboard insert for safe transit.
Canvas Prints add colour, depth and texture to any space. Professionally Stretched Canvas over a hidden Wooden Box Frame and Ready to Hang
Estimated Product Size is 76.2cm x 50.8cm (30" x 20")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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This print showcases Giordano's masterpiece, "Ecce Homo" painted between 1650 and 1659. Measuring at 45.1x69.7 cm, this oil on panel artwork is housed in the prestigious Walters Art Museum in Baltimore, USA. The painting depicts a powerful scene from the life of Christ, specifically the moment when Pontius Pilate presents Jesus to the crowd with the words "Behold the Man" (Ecce Homo). The artist skillfully captures the intense emotions and expressions of both captor and captive. In this baroque composition, we see a bustling street scene in Jerusalem filled with people wearing contemporary dress and various headwear such as hats and turbans. A mob surrounds Jesus, mocking him mercilessly while he stands humiliated before them, draped in a flowing garment. From balconies above, spectators observe this brutal condemnation unfold. The vibrant colors and intricate details bring an air of authenticity to every element – from costumes to accessories – transporting viewers back to that fateful day. Giordano's mastery lies not only in his technical prowess but also his ability to convey profound human emotion through paintbrush strokes. This print allows us to appreciate every nuance of his work while preserving its historical significance for generations to come.
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