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Land area of the State of the Veneto: area of Rovigo, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection

Land area of the State of the Veneto: area of Rovigo, engraving by G. Zuliani taken from Tome II of the 'Newest Atlas' published in Venice in 1782 by Antonio Zatta, Private Collection


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Land area of the State of the Veneto: area of Rovigo, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection

Land area of the State of the Veneto: area of Rovigo, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1872. Artist:Zuliani G

Alinari
PDP-A-ZATTA2-0005

Media ID 33185923

© Alinari Archives, Florence

Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Baroque

> Baroque paintings

> Europe > France > Canton > Landes

> Europe > Italy > Veneto > Related Images

> Europe > Italy > Veneto > Rovigo

> Historic > Renaissance art > Baroque art > Renaissance paintings

> Historic > Renaissance art > Baroque art

> Historical artwork


EDITORS COMMENTS
This print showcases the "Land area of the State of Veneto: area of Rovigo" an exquisite engraving created by G. Zuliani in 1782. This masterpiece was originally featured in Tome II of the renowned "Newest Atlas" published in Venice, Italy during that era. The intricate details and precision captured within this engraving are a testament to Zuliani's exceptional talent as an artist. The fine lines and delicate shading bring to life the geographical features and topography of Rovigo, a significant region within the State of Veneto. Dating back to 1872, this artwork has stood the test of time and remains a valuable piece housed in a private collection. Its presence evokes feelings of admiration for both its historical significance and artistic beauty. With its Renaissance-Baroque style, this engraving transports us back to Europe during the eighteenth century when cartography played a vital role in communication and understanding our world. It serves as a reminder that maps were not just practical tools but also works of art that conveyed knowledge through their visual representation. This photograph was taken by Alinari in 2009, capturing every minute detail with utmost clarity while preserving its original essence from over two centuries ago. Through this image, we can appreciate how technology has allowed us to preserve these invaluable pieces from history for future generations to admire. In conclusion, this print offers us a glimpse into both the past and present—a fusion between artistry and cartography—showcasing an extraordinary engraving by G. Zuliani from Antonio Zatta's "Newest Atlas". It stands as a testament to human ingenuity throughout different periods while highlighting Europe's rich cultural heritage during the first and second millennium A. D. , specifically within Renaissance-Baroque styles.

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