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Madonna and Child, Saint Ann and the Infant St. John, drawing from the School of Raphael; British Museum, London
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Madonna and Child, Saint Ann and the Infant St. John, drawing from the School of Raphael; British Museum, London
Madonna and Child, Saint Ann and the Infant St. John, drawing from the School of Raphael; British Museum, London Drawing High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2002. Date of Artwork:XVI sec.. Artist:Raffaello Sanzio, school
DIS-F-001767-0000
Media ID 33183025
© Alinari Archives, Florence
Anne Childhigh Renaissance Jesus Christ Christ Child John The Baptist Life And Representations Of The Virgin Madonna And Child With St Other Important Women Virgin Mary Subject
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EDITORS COMMENTS
This print showcases the timeless masterpiece "Madonna and Child, Saint Ann and the Infant St. John" drawing from the School of Raphael, housed in the prestigious British Museum in London. The artwork, dating back to the 16th century during the High Renaissance period, is attributed to Raffaello Sanzio and his school. In this remarkable composition, we witness a profound depiction of important women from biblical narratives. At its core stands the personification of purity and grace - Virgin Mary or Madonna - cradling her divine child Jesus Christ while surrounded by Saint Ann (Mary's mother) and young St. John (the Baptist). Their serene expressions exude an aura of maternal love and spiritual enlightenment. The artist masterfully captures both human anatomy and religious symbolism through his meticulous brushstrokes. The nude bodies are rendered with utmost delicacy, emphasizing their natural beauty while symbolizing purity and vulnerability. This representation aligns with prevailing artistic styles of both Renaissance-Baroque periods that sought to celebrate human form as a reflection of divinity. As we delve into this artwork's historical significance, it becomes apparent that it epitomizes Europe's cultural heritage during the first two millennia AD. Its presence within one of Britain's most esteemed institutions further solidifies its importance as a testament to art history. This print taken in 2002 allows us to appreciate every intricate detail preserved over centuries on this extraordinary piece. It serves as a visual bridge connecting us with past generations who revered these iconic figures for their spiritual guidance and devotion. Let us cherish this image not only for its aesthetic allure but also for its ability to transport us across time – reminding us of our shared humanity throughout different epochs in history.
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