Other Important Women Collection

Freso by Gaudenzio Ferrari entitled Deposition from the Cross, in the Church of Sant'Ambrogio in Milan Milan Mural Painting Renaissance, Renaissance-Baroque styles and periods, Europe

Detail of the meeting of Elisabeth and Mary, part of the cycle of the stories of the Virgin frescoed by Ghirlandaio in Santa Maria Novella in Florence Florence Mural Painting Early Renaissance

Polyptych by Duccio di Buoninsegna with the Madonna and Child, Saints and Angels. The polyptych is in the Pinacoteca Nazionale in Siena Siena Painting Gothic, Middle Ages, Europe

The Baptism of Christ and the Temptation in the Desert of the Calvary of Plougonven France Plougonven Sculptural Group Renaissance, Renaissance-Baroque styles and periods, Europe

Study of the face of St. Anne, drawing by Leonardo Da Vinci, black pencil with light of white lead on red painted paper, preserved in the Royal Library of Windsor

Nativity of the Virgin. The scene takes place in a room with canopies. St. Anna is praying on the bed. In the foreground two nurses are cleaning the Baby Mary

Penitent Magdalen; painting by Tiziano. Galleria Palatina, Palazzo Pitti, Florence Painting Late Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Portrait of Giovanna Tornabuoni; detail of the fresco with the Life of St. John the Baptist, work of Domenico Ghirlandaio

The Virgin and St. Anne; painting by Lorenzo da San Severino. Pinacoteca, Vatican Painting Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Crucifixion; work of Masaccio, originally the summit of the Pisa polyptych. Galleria Nazionale di Capodimonte, Naples Painting Early Renaissance, Renaissance, Renaissance-Baroque styles and periods

Statue of St. Veronica, work by Francesco Mochi kept in St.Peter's Basilica, in the Vatican State of the Vatican City St.Peter's Basilica Statue Baroque

Madonna and Child, Saint Ann and the Infant St. John, drawing from the School of Raphael; British Museum, London Drawing High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Meeting at the Golden Gate; detail of the kiss of Gioacchino and Anna. Fresco by Giotto di Bondone, Arena Chapel, Padua Mural Painting Gothic, Middle Ages, Europe, First and Second Millennium A.D

Head of a woman or of Saint Anne, drawing, Leonardo da Vinci (attributed to), study for the head of Saint Anne of the painting "Madonna with Child and Saint Anne" today at the Louvre

The Crucifixion of Jesus Christ, sculpture panel from Giambologna's school, collocated on the right portal of the Cathedral of Pisa

Herod's Banquet: Bas-relief of a panel of the marble pulpit by Mino da Fiesole and Antonio Rossellino. Located in the Cathedral of Prato. Prato Cathedral

The letter "A" with a depiction of the Resurrection of Christ, illuminated page of a choir book, from the Pisan School, displayed in the Exhibition of ancient Sienese art

Panel representing the moment when the head of St. John the Baptist is offered to Herod. Sculpted work by Donatello, belonging to the Baptismal Font of the Baptistery of Siena

Statue depicting Veronica, by Angelo Marini, in the Church of the Carthusian Monastery of Pavia Pavia Church of the Carthusian Monastery of Pavia Statue Late Renaissance, Renaissance

Santa Maria Maddalena, wood, Desiderio da Settignano (1429-1432, 1464), the Church of Santa Trinita, Florence Florence Church of S

The Visitation with St. Roch and St. Sebastian, detail, work by Giovanni della Robbia, preserved in the church of S. Stefano in Lamporecchio in the environs of Pistoia Lamporecchio Church of S

The Visitation with St. Roch and St. Sebastian, work by Giovanni della Robbia, preserved in the church of S. Stefano in Lamporecchio in the environs of Pistoia Lamporecchio Church of S

Annunciation, Visitation and Birth of Christ: high reliefs by Fra Guglielmo da Pisa for the Pulpit of the Church of Saint John Fuorcivitas

Two studies for the "Noli me tangere". Drawing by Fra Bartolomeo, located in the Room of Drawings of Prints at the Uffizi Gallery in Florence

The Decollation of Saint John, drawing by Alonso Cano, found in the Room of Drawings and Prints, Uffizi Gallery, Florence

Statue portraying Veronica by Libero Andreotti, Gipsoteca Libero Andreotti, Pescia Pescia Gipsoteca Libero Andreotti Statue Nineteenth-Twenty century, 19th-20th century, Europe

State of St. Veronica, sculpture by Francesco Mochi, preserved in the Basilica of San Pietro, Rome. Rome Basilica of San Pietro Statue Baroque, Renaissance-Baroque styles and periods, Europe

Sarcophagus front depicting Christ and Moses striking water from the rock, preserved in the Vatican Museums, Vatican City; formerly in the Lateran Museum

Sarcophagus front depicting Christ praying and other biblical scenes, preserved in the Vatican Museums, Vatican City; formerly in the Lateran Museum

The southern door of the Baptistery of San Giovanni, in Florence, with the sculpture by Vincenzo Danti depicting the Beheading of St

Head of St. Anne. Drawing by Leonardo da Vinci housed in Gallerie dell'Accademia, Venice Venice Gallerie dell'Accademia Drawing High Renaissance, Renaissance

Mary Magdalene speaking with the angels, Scenes from the life of Mary Magdalene, 1307-1308, fresco, Giotto and workshop, east wall, Magdalene Chapel, Lower Church, Basilica of San Francesco

Christ and Lazarus sisters (?). Drawing by Rembrandt, in the British Museum in London Great Britain London, British Museum Drawing Baroque, Renaissance-Baroque styles and periods, Europe

Detail of a statue depicting the countess, Maria Pereira in the Sepulchre of the same name. Work located in the Church of St. Bernardino, L'Aquila. L'Aquila Church St

Tomb of Maria Pereira located in the church of S. Bernardino, L'Aquila. Arcaded structure with pilasters and shell-like niches holding statuettes of John the Baptist, Magdalene, St

Mary Magdalene by Cristoforo Stati, preserved in the Barberini Chapel, inside the Church of Sant'Andrea della Valle, Rome. Rome Church of S

High relief depicting the Birth of the Virgin. Detail of the Holy Home, Basilica of Santa Casa, Loreto Loreto Basilica of Santa Casa High Relief High Renaissance, Renaissance

The Visitation altarpiece in the Chapel of Visitation, in the Cathedral of Orvieto. Orvieto Altar Late Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

The middle portal called of the Last Judgment of the Cathedral of Notre-Dame, Paris France Paris Door Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1905 ca

Christ and Mary Magdalen. Porcelain manufactured by Ginori, according to a model by Massimiliano Soldani Benzi and in the Civic Collection of Applied Art of Sforzesco Castle in Milan Milan Sforzesco

The Visitation, the Last Judgement, the Coronation of the Virgin and the Crucifixion. Ivory diptych of French manufacture, in the Sala Carrand of the Museo Nazionale del Bargello

The Deposition of Christ and Salome Bringing the Head of John the Baptist to Herodia, mosaics by the Venetian School, in the dome of the Baptistry of Florence

The Birth of the Virgin. Historiated intial from a Choir Book, illustrated by Liberal da Verona and preserved in the Piccolomini Library in Siena Siena Piccolomini Library Illumination Renaissance

Visitation. Historiated initial of a Choir Book illustrated by Liberal da Verona and preserved in the Piccolomini Library in Siena Siena Piccolomini Library Illumination Renaissance

Piet by Canova inside the Canova Temple in Possagno. Possagno Canova Temple Sculptural Group Neoclassicism, Nineteenth century, 19th century, Europe, First and Second Millennium A.D

Relief in glass depicting Saint Ann and the Virgin Mary enthroned; Saint Lawrence Cathedral, Perugia Perugia Saint Lawrence Cathedral Standard Early Middle Ages, Europe

Mary Magdalen by Gian Lorenzo Bernini preserved in the Chapel della Madonna del Voto in Siena Cathedral Siena Cathedral Statue Baroque, Renaissance-Baroque styles and periods, Europe

Stories of St Gioacchino and St Anna: relief from the architrave of the Main Portal of Siena Cathedral Siena High Relief Gothic, Middle Ages, Europe, First and Second Millennium A.D

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In the world of art and history, there are countless depictions of important women who have left their mark on society. From religious figures to influential individuals, these women have inspired generations with their strength, beauty, and grace. One such depiction is found in the Herods Banquet episode from the predella of the Tabernacle of the Holy Sacrament. This artwork showcases a woman whose presence commands attention and captivates all those around her. Her elegance and poise speak volumes about her importance. Another notable portrayal can be seen in Raphael's Study for a Magdalene drawing at the Gabinetto dei Disegni e delle Stampe in Florence. The artist masterfully captures Mary Magdalene's contemplative expression, hinting at her deep spirituality and devotion. The Codex De Predis also offers glimpses into significant moments involving women. In one illumination, we witness Mary being received by virgins of the Temple—a testament to her purity and dedication to serving a higher purpose. Another illumination depicts Mary taking a vow of virginity, showcasing her commitment to living a life dedicated solely to God. Gian Gioseffo Dal Sole's work featuring Mary Magdalene at the Galleria Estense in Modena portrays this iconic figure with utmost reverence. Through his brushstrokes, he conveys both her inner strength and vulnerability—an embodiment of human complexity that resonates with viewers. The Polyptych with side panels featuring Saints Peter, Paul, Clement, and Magdelene further highlights Mary Magdalene's significance within religious narratives. These artworks emphasize not only her role as an apostle but also as someone deeply connected to Jesus Christ himself. Leonardo da Vinci's Head of Sant Anna drawing adds yet another layer to our understanding of important women throughout history. As part of his study for "Madonna with Child and Sant Anna, " this piece showcases Leonardo's meticulous attention to detail and his ability to capture the essence of a woman's face.