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Baptism of Jesus, marble, Andrea Sansovino (1467-1529) and Innocenzo Spinazzi (1726-1798), the entablature of the east door of the Baptistery of S. Giovanni in Florence

Baptism of Jesus, marble, Andrea Sansovino (1467-1529) and Innocenzo Spinazzi (1726-1798), the entablature of the east door of the Baptistery of S. Giovanni in Florence


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Baptism of Jesus, marble, Andrea Sansovino (1467-1529) and Innocenzo Spinazzi (1726-1798), the entablature of the east door of the Baptistery of S. Giovanni in Florence

Baptism of Jesus, marble, Andrea Sansovino (1467-1529) and Innocenzo Spinazzi (1726-1798), the entablature of the east door of the Baptistery of S. Giovanni in Florence Florence Piazza del Duomo Sculptural Group Late Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:1502-1569, 1792. Artist:Danti, Vincenzo, Spinazzi, Innocenzo, Sansovino, Andrea Contucci, known as

Alinari, Fratelli
ACA-F-001879-0000

Media ID 33107905

© Alinari Archives, Florence

Baptism Crosslate Renaissance Jesus Christ Christ Child John The Baptist Life Of Christ Primary Elements Water Christian Religion Natural Elements And Phenomena Subject


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EDITORS COMMENTS
This photograph captures the essence of the "Baptism of Jesus" sculpture, a masterpiece created by Andrea Sansovino and Innocenzo Spinazzi. The artwork is prominently displayed on the entablature of the east door at the Baptistery of S. Giovanni in Florence's Piazza del Duomo. Dating back to 1502-1569 and 1792, this stunning piece represents late Renaissance, Renaissance-Baroque styles and periods that have left an indelible mark on European art history. The photograph itself was taken around 1890 by Alinari, Fratelli. In this image, we witness a pivotal moment in Christian religious history as Jesus Christ is baptized by John the Baptist. The primary elements of water symbolize purification and rebirth while an angelic figure hovers above them, adding a touch of divine presence to this sacred event. The male figures depicted are nude, showcasing their vulnerability as they submit themselves to this holy sacrament. Surrounding them are other saints who bear witness to this significant act within Christianity. As we delve into the details captured in this print, it becomes evident that every element has been meticulously crafted with precision and skill characteristic of Renaissance artistry. From the intricate folds in their garments to each facial expression conveying deep emotion, these sculptures come alive through Vincenzo Danti's lens. This photograph serves as a testament not only to the artistic genius behind its creation but also reminds us of our connection with spirituality throughout different eras. It transports us back in time while simultaneously bridging gaps between various historical periods - from first-century biblical events to second-millennium interpretations. Through Alinari's lens, we can appreciate both the beauty inherent within religious symbolism and humanity's enduring quest for spiritual enlightenment across centuries.

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