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Arabia divided into the Petrea Desert and Felice, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection
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Arabia divided into the Petrea Desert and Felice, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection
Arabia divided into the Petrea Desert and Felice, engraving by G. Zuliani taken from Tome IV of the "Newest Atlas" published in Venice in 1784 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1784. Artist:Zuliani G
Alinari
PDP-A-ZATTA4-0002
Media ID 33186323
© Alinari Archives, Florence
Cartography Drawing And Graphics Geographical Or Topographical Map Geography Graphics Instrument And Document Modern History Of Nations Peoples Scene Means Of Communication Territories Territory Abstract Concept And Symbol Concept Or Subject Expressed
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EDITORS COMMENTS
This print showcases an exquisite engraving titled "Arabia divided into the Petrea Desert and Felice" by G. Zuliani, taken from Tome IV of the renowned "Newest Atlas" published in Venice in 1784 by Antonio Zatta. Housed in a private collection, this artwork represents a fascinating blend of Renaissance-Baroque styles and periods. The intricate details of this engraving transport us back to the eighteenth century, offering a glimpse into the history and geography of Arabia. The artist's skillful rendering brings to life the vast expanse of the Petrea Desert juxtaposed with the region known as Felice. Through careful strokes, Zuliani captures both the abstract concept and symbol of territorial division within this ancient land. As we delve deeper into this masterpiece, it becomes evident that cartography serves as a means of communication across time and space. This geographical or topographical map not only provides valuable information about Arabia but also acts as an instrument for understanding its complex history. The significance of this artwork extends beyond its aesthetic appeal; it sheds light on Europe's exploration during the first and second millennium A. D. , highlighting their quest for knowledge about distant lands such as Saudi Arabia. It stands as a testament to humanity's curiosity and desire to comprehend different peoples, territories, and cultures. Intriguingly captured in 2009 by Alinari, this photograph preserves not just an image but also encapsulates centuries' worth of human progress in writing, communication, graphics, drawing instruments, documents - all intertwined with our ever-evolving understanding of geography. With each glance at this remarkable piece from Florence Engraving Eighteenth Century Collection by Alinari (not affiliated with any commercial use), we are reminded that art has always been intricately linked to our exploration and comprehension of our world's diverse tapestry throughout history.
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