Metal Print : Will watching and listening at his friends deathbed. Illustration by John Everett Millais

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Metal Prints from Universal Images Group (UIG)

Will watching and listening at his friends deathbed. Illustration by John Everett Millais

Will watching and listening at his friends deathbed. Illustration by John Everett Millais (1829-1896) English artist and founder member of Pre-Raphaelite Brotherhood, for Owen Merediths poem Last Words from The Cornhill Magazine, London, November 1860. Owen Meredith pseudonym of Edward Robert Bulwer Lytton (1831-1891) lst Earl Lytton. Engraving

Universal Images Group (UIG) manages distribution for many leading specialist agencies worldwide

Media ID 9788755

© Universal History Archive/Universal Images Group

1829 1896 1860 Artist Brotherhood Cornhill Deathbed Earl Edward Everett Founder Friend John Listening Literature Magazine Member Millais November Owen Poem Pre Raphaelite Pseudonym Robert Watching Words Bulwer Lytton Meredith

16"x20" (51x41cm) Metal Print

Experience the poignant beauty of John Everett Millais's iconic painting, "Will Watching and Listening at His Friend's Deathbed." This exquisite Metal Print from Media Storehouse captures the profound emotion and intricate detail of Millais's masterpiece, brought to life through our premium metal printing process. The vibrant colors and stunning clarity of the image are sure to make a profound impact in any space. Preserve this timeless work of art for generations to come with our high-quality, durable Metal Print. A must-have for art collectors and enthusiasts alike.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.

EDITORS COMMENTS
This illustration by John Everett Millais, a prominent English artist and co-founder of the Pre-Raphaelite Brotherhood, depicts a poignant scene from Owen Meredith's poem "Last Words". The image showcases Will, portrayed with profound sorrow on his face, as he watches and listens attentively at his friend's deathbed. Created in November 1860 for The Cornhill Magazine in London, this engraving beautifully captures the emotional depth of the poem. Owen Meredith, also known as Edward Robert Bulwer Lytton (lst Earl Lytton), penned these powerful verses that explore themes of mortality and friendship. Millais' artistic interpretation perfectly complements the lyrical beauty of Meredith's words. The composition skillfully combines intricate details with a sense of melancholy ambiance. Through delicate strokes and careful shading, Millais conveys Will's deep connection to his dying friend. Every line etched into this print seems to echo the weighty emotions present in both the poem and real-life experiences. As we gaze upon this remarkable artwork today, it serves as a testament to the enduring power of literature combined with visual artistry. It reminds us how artists like Millais can breathe life into written words through their creative vision. This particular piece stands as an exemplary representation of Pre-Raphaelite aesthetics – characterized by meticulous attention to detail and emotionally charged subject matter. In conclusion, this evocative engraving transports us back to Victorian England while simultaneously transcending time through its universal depiction of human emotion. It

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